Should You Go To The Doctor For Green Flem

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Dear Friends, @ s:
Each month usually say two films from the career perspective. But during the month of April have seen that I have not posted any. I hope you forgive me.
Why should this silence? Just
I concentrated on finalizing the design of the new web. Yes! Pass the blog to the website where I think they offer better services, especially considering in the future.
leave then hanging up on this blog movies. Look
now the web and send suggestions.
Thanks for everything. Carlos Comendador

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Aching Pain In Bottom Left Of Abdomen

Patch Adams Beethoven

Do I Need Antibiotics

Coopying


TECHNICAL 1.FICHA
ORIGINAL TITLE: Copying Beethoven
DIRECTOR: Agnieszka Holland
PERFORMERS: Ed Harris, Diane Kruger, Nicholas Jones, Joe Anderson, Matthew Goode
COUNTRY: USA - Great Britain - Hungary
YEAR: 2006
SCREENWRITER: Stephen J. Rivele, Christopher Wilkinson
PRODUCTION: Sidney Kimmel, Michael Taylor, Stephen J. Rivele, Christopher Wilkinson
CINEMATOGRAPHER: Ashley Rowe
ASSEMBLY: Alex Mackie
LENGTH: 104 m.
GENRE: Drama of time. Biographical.


2.SINOPSIS
Anna Holtz, 23, is an aspiring songwriter with limited means seeking inspiration and thrive in the global music capital, Vienna. Anna, a student at the conservatory of music, he manages to get a chance to work beside the greatest, most mercurial artist alive: Beethoven.
When unexpectedly the skeptical Beethoven tests, Anna demonstrates her competence and special value for music. The maestro accepts Anna as his copyist, which begins an extraordinary relationship that changes both their lives. Copying Beethoven
focuses on the last days of the life of Beethoven: a turbulent period in which his struggles with deafness, loneliness and family trauma provided profound inspiration for his Ninth Symphony that I considered the greatest ever written.

3. WHY "Copying Beethoven" IS A FILM CAREER? NOTES FOR THE ENTERTAINER
rarely can be seen in a movie mix poetry, music, good cinema and spirituality. This is what happens with Copying Beethoven, a great movie full vocational and openness to the transcendent dimension of the person who is hard to find in the proposals in cinema today, because as we said Julio Rodríguez Chico, the film is about " music as a language of the soul, and the silence as an inner reality that allows the spirit to sing and achieve freedom. " In this line the same Ed Harris says that this is a project that "try to imagine where it comes, spiritually and intellectually, the music of Beethoven."

Beethoven is a musical genius who experience the end the decline of his life and almost contempt of others. It has become difficult and temperamental person with a very complicated character to others. His physical deafness appears that leads to a "soul deaf" to the feelings of others. In these circumstances, Beethoven is finishing a time trial his Ninth Symphony with the intention of closing a chapter in the history of music to open unexpected trends.

curious thing about Beethoven is the relationship with God is full of ups and downs, lights and shadows. Really feel it has carried out its vocation of musician that makes you closer to God. In a coversación you have with Anna, defines its mission with these words: "The vibrations in the air are the breath of God speaking to man's soul. Music is the language of God. The musicians are so close to God as a man able to become pregnant. We hear his voice. We read their lips. Give birth to the children of God to his praise. That's what musicians are, Anna. And if we are that we are nothing. " However, it also faces God and protest his deafness. Does not understand that God has given you a mission while a major constraint to carry it out. Ultimately as

J. Rodríguez Chico says: "Our protagonist is presented as someone who allowed the silence to hear the divine and human realities spiritual harmony with the artistry and spirit of the times that are very well reflected in the film "

Anna is a young apasioanda also for music, he sees the possibility of working with the Master, the chance of a lifetime given by God. Although at first he received nothing but recriminations by Beethoven, especially as a woman, she does not lose the spirit, still working, their own composciones and even dares to correct the genius. Anna also has to be sitting in front of the reproaches of her aunt, a nun who sees in typical boyhood desires of young girls. Nor shall not easy with her boyfriend, especially when after encounter with Beethoven allow you to stay with it. Although Anna is due in the first instance, you can not resisitr the attraction of the music, his own music.

Beethoven and Anna, genius and fan, are forced to work together. And this relationship will make the characters evolve through a well-built script therefore does not fall into the trap of making the characters fall in love, but their relationship has features that might be called transcendent. Beethoven is recovering the sensitivity and delicacy that had disappeared from his life. In addition, Anna is discovered in an angel sent by God, so that will be leaving to help and guide. Ever need both of it after it has been seriously injured, go to apologize to his knees. This makes Beethoven come to die in peace and freedom.
Juan Orellana said that "Anna becomes the catalyst for the story. Its honest look and artistic sensibility removed from the loneliness of the composer who sees her as an angel sent by God. Between them comes a close relationship, never flesh, like that which exists between two kindred spirits who share a vocation and passion for music. "

Anna, who worships Beethoven but still a composition student, continues to create some personal work. It is not easy for her, especially when it is ridiculed. Go through the crisis to "take a gift without calling." Anna's mistake is that worships Beethoven both ends for copying, but only to a point. The genie is composing a flight to cross the bridge of the music of the future. Get the rejection of all the misunderstanding and even Anna, who is unable to follow his teacher so far. And to this we invited Beethoven to Anna, to go beyond the music to be free. The last image of film is suggestive in this regard. She has also made the process of discovery of a gift received from God. Its vocation is to be the secretary of God. Julio Rodríguez Chico

think "The director looks on, a mind that only hear the music in him, someone who has waged a struggle for inner freedom and let the spirit to overflow without impositions or restrictions on time, the awareness of having a gift for dialogue with the souls and to sit with you to God you make him a genius, a cruel human being and arrogant at times, gentle and humble in others, and always with a strong and demanding. His life-and movie-is transformed into a new odyssey of someone seeking to find himself and translate their feelings into musical notes to talk about concerns and outbursts of anger, fear and flight, love and desire for authenticity. It's the same inner journey must go Anna, a 23-year-old arrives with desire to succeed and he finds his sense of existence. " (From http://www.labutaca.net/films/44/copyingbeethoven3.htm)

Almudena Muñoz Pérez tells us that: "More than a film of Beethoven, Holland we dedicated a speech on the folds of genius, resolved contrasts with magnificent music, the essence of music and religious inspiration which exalts and disturbs a Catholic man "Holland weaves many stitches while the three main pillars of his film: he, she and the umpire, music, together with exemplary facility in the central scene of the concert of the Ninth Symphony, through gestures when the three vertices merge without touching. " (From http://www.labutaca.net/films/44/copyingbeethoven2.htm) Copying Beethoven
allows us to work vocational subjects as: the gifts of God, the mission, the silence ...

4.material WORKING FOR THE MOVIE.

4.1.Ver and Annaliza

- How is presented Beethoven at the beginning of the film? How does it evolve? Why change?
- How does Anna with Beethoven? What helps or hinders that relationship? What has contributed to the final? Both Beethoven
- as Anna feel called by God and blessed with the gift of music. What is the mission that must be done in your life?
- Beethoven What is your relationship with God? How is your faith?

4.2.Nos challenges

- What is music for you? Do you listen to different types of music depending on your mood?
- How does music help or you used to pray? Comment a religious song to remember in a special way, if you know the Gregorian chants or Taiz and its use in the liturgy.
- What don you think that God has ruled in a special way? What you have it?
- How important is silence or place in your life? Looking for moments of silence? Do you hate? Why?
- Who do you talk to your most intimate and personal things? "You talk about God too?

4.3.Oramos

to the conclusion on this film would be very appropriate to use the music. In particular we propose some songs of Taizé for its simplicity and repetition help to contemplation. Taizé celebrations take great care environment, sense and simplicity: sitting on the floor, lighting candles, slow breathing and an icon to which direct the gaze. This is music to use for prayer. A useful introduction and a motivation to those who are not familiar.
advise visiting the Taizé website to collect the advice given there: http://www.taize.fr/es_rubrique373.html. Here I propose two poems can be read by a soloist slowly, while there is background music.

* For the Almighty, whose name is Holy has done great things for me.

And not by me but by the miracle
that flourished in my soul. I know the poor
walls of my heart
and are mud-clay.
But God was weaving them with a burning flower, its upholstered
roads garlands of roses,
because the guest who had come to inhabit
was accustomed to his Father's hands.
And lo, my soul and not just my soul but my soul
multiplied by the power of God,
a mantle woven of light and wonder.
who can, can.

And I testify that God is not stingy.
(José Luis Martín Barefoot)

* Yes

Fear afraid I have to tell you that yes, my lord;
because ... where are you taking me?
afraid I have to take risks, to sign you
fallow
a "yes" that creates a reaction of "ifs" chain,
and yet I have no peace.
you persecute me, Lord,
stalk me on all sides;
noise disturbs me because I am afraid to hear your voice, but you
infiltrate into silence.
I swerve in the lane to vislumbrarte,
but when I get to the bottom of the trail, there you are!
Where I can hide, if I find you anywhere?
No, no way to dodge.
... But I have afraid to say yes, oh Lord. I have fear of alargarte
hand, because the cling
yours.
afraid I have to meet your gaze,
because I seduce.
I have fear of your requirements,
because you are a jealous God.
pointed at me:
but elusive target.
imprison me:
but I resist.
And I fight knowing that I am defeated.
But is that really ... "can you resist?
To reach your kingdom, not mine,
help me to say yes. Help me

say yes to your will be done, not mine.
(Michel Quoist)

Is There Any Way To Make Heries Gp Away Faster

The Seventh Seal


1.FICHA
TECHNICAL TITLE: The Seventh Seal
ORIGINAL TITLE: Det sjunde inseglet
YEAR: 1956 PRODUCER
: Svensk Filmindustri. Sweden.
Producer: Allan Ekelund
DIRECTOR: Ingmar Bergman
PERFORMERS: Gunnar Björnstrand, Bengt Ekerot, Nils Poppe, Max Von Sydow, Bibi Andersson, Inga Gill, Maud Hansson
Screenplay: Ingmar Bergman
MUSIC: Erik Nordgren
PHOTOGRAPHY: Gunnar Fischer (B / N)
ASSEMBLY: Lennart Wallén
GENRE: Drama
DURATION: 92 min

2.SINOPSIS
Sweden, XIV century. The Black Death ravaged Europe. The Swedish knight Antonius Block and his loyal squire return home, after ten years of fruitless fighting in the Crusades to the Holy Land. Returns as a man tormented and plagued by doubts, and Death has claimed it. With hoping to get some knowledge before his death, the knight challenges Death to a game of chess. Man seeks answers to key questions of life, death and the existence of God during a game of chess. Unanimously hailed as one of the great masterpieces of Bergman.

3. WHY "The Seventh Seal" IS A FILM CAREER. NOTES FOR THE ENTERTAINER.
We are in a movie that is pure art. However for those not accustomed to classic cinema may seem a bit slow. For this we should make a good motivation to start to give you some key points or guidance. What
see in this classic work of Ingmar Bergman is not only a great reflection on death and therefore of life. The black plague that is killing thousands of people in medieval Europe provokes different reactions, different poses. However there is one word pervasive throughout the film, the fear. In general, all are frightened by what is sensed as the end, the apocalypse of the world and death that haunts everyone equally and who no one escapes. The same director made this presentation of his work: "This film is not intended as a realistic picture of Sweden in the Middle Ages. It is an attempt of modern poetry, which reflects the life experiences of a modern man in a way that is very loosely medieval events. In the Middle Ages people lived in fear of the plague. Today they live in fear of the atomic bomb. The Seventh Seal is an allegory with a very simple man, the eternal search for God and death as the only certainty. "
Antonius Block is a distressed gentleman whom death has been awarded a prologue while playing a game of chess. During this extra time to solve their existential questions and find meaning in life, looking to do something important, a good deed that inner peace. Le anguish not knowing what lies beyond death, God is a pure invention of the fear of man. Feels God within himself, but wants to come to him by the mere reasoning and not by faith: "I understand, not believe." It is worth stopping at the scene of the "confession" made in a church where we can actually see your troubled spirit.
His squire John is a buffoon "who laughs at death, curse of God and is indifferent to the whole world." His attitude is that the mere present with no horizon of transcendence in life. For him death is the end, so the reflections mocks his master and says openly: "You will not find anyone to listen to your prayers." However with the imminent death of the girl rebels ordered by this nonsense of life.
"The gentleman and his squire are two opposing characters. We say that contrast and complement. The gentleman is concerned about finding God, to know what is behind the death, wants to be prepared for that moment, on the contrary, his squire, is more earthy, wants to live life and enjoy "(taken from http://www .cinefania.com/movie/200506 /).
Joseph, Mary and Michael is a family that is part of a small company of comedians and singers. Go a world tormented by fever and fear to entertain those people who have no interest in his show. Joseph has a secret he shares with his wife, is able to have visions and apparitions. Mary for her part does not take seriously many times but loves and accepts you as is. Many of the criticisms I have consulted almost no notice of this family that has, from my point of view, the great reason to hope for "The Seventh Seal."
And then there's the death that does its job, which gives no prologue and no one who escapes. Or so she thinks. Throughout the various meetings he has with the gentleman to continue their departure will discover in it an evolution, a change. First it is lively, with no major worries or troubles. What is this? The gentleman just enjoy the simple things: a group of friends sitting in the field, strawberries, a bowl of fresh milk, a happy child ... Enjoy a daily occurrence giving a dimension of transcendence ("I will never forget this day") makes you see life differently.
At another point he noted the death really changed, just the end of the game. The gentleman feels at peace because she made the last good deed: to distract the death to the family of Michael to escape. "The minstrel, Joseph and his wife, Mary, with her beautiful baby are the real winners. They will not die (for now). The knight saves. It's that little gesture that he elevates and redeems and no participation in the Crusade. Although no faith, and wants it, as the San Miguel Bueno de Unamuno, Anton does this small act of friendship distracted to death for the three flee and be saved. Anton knows that it leads to death and that their game of chess is not just a useless trick. But save those three beings full of purity is its particular action, which will save him, finally. Which will make you feel that your life has had a purpose, far from death and destruction of his crusade, away from the coldness and loneliness of being away from home "(from http://arteyliteratura.blogia.com/ 2007/111401-sesiones-dobles.-segunda-sesion-el-septimo-sello-de-ingmar-bergman.php)
And why Miguel escapes death? Precisely because of their views. He saw death when others only see it at the last moment of his life. His eyes were transcendent beyond warned material. But not only that. I think that we should not overlook the role played by his family. The other characters are somewhat broken family, but in the relationship of Joseph and Mary ("names chosen at random?) Discovered a tender and sincere love, a love which has also conceived a child. Is not that child the antidote against death? Also worth considering is a family of minstrels and troubadours, crazy people, funny, poetic. While yields Fair and leaves the stage because of the difficulties, they continue to do their part.
Some say that from his experience Lutheran, Bergman has two dimensions of life in a way limited to: the reason the gentleman in front of magical faith of Joseph. You have to really consider whether faith and reason have to be separated in life.
not be overlooked that being a black and white film director plays nicely with contrasts. It would be nice to draw attention to certain levels: the gentleman in black and white minstrels.
The Seventh Seal is thus a great movie that helps us reflect on the meaning of life, the presence of God, faith, death and how we stand at all. They are universal themes that we have all ever thought that shape our experience and vocation. "Ingmar Bergman wrote and directed in his usual theatrical style, a gloomy book full of philosophy, theology and critical thinking against the existential dilemma posed by the end of our lives, a moment of reflection and analysis against what was done or not was alive, and ultimately, best forgotten, in order not to suffer from nostalgia when you get to the only security that each person has in this life, soon each and every one of us has to die "( taken from The gadfly. http://www.alohacriticon.com/elcriticon/article1126.html) propose
also two articles in pdf format, which I find interesting and complementary:
- http://www.profes.net/rep_documentos/PDS_Religi% C3% B3n/PD2B% 20of% 20clase 20Cine%.% 20S% C3% A9ptimo_sello.PDF: is an interdisciplinary didactic
- http://es.geocities.com/jlpalacios_a/Arte/7sello_memorandum.pdf: a study of some scenes. Suggestive.

4.material FOR FILM WORK
4.1.Ver and analyze
- What the film leaves you feeling after seeing it?
- On what would have us think the director Ingmar Bergman?
-Describe each of the three characters and its fundamental stance on the death: Antonius Block, his squire and Joseph.
- What image presents Bergman's death? Are you convinced?
- What do you suggest the idea of \u200b\u200bplaying a game of chess with death?
- Antonius Block Get answers to your questions?
- What does the history that the film is in black and white? How Bergman plays with contrasts?

4.2.Nos challenges
- What are the fears of society? What about yours?
"When you think about death, what feelings do you have?
- What do you bring the movie to understand or face death?
- Which of the characters you most identify? Why?
- What for you death? What does your faith when you think about death? "If death
gave you a prologue, what would you do? "If you come
death now, would you be happy with the life you have lived? What things do you regret?
- What do you move or animate the film?

4.3.Oramos
-known singing group and appropriate to the subject.
-PSALM IN SEARCH OF THE MEANING OF LIFE
started out as if from a dream, so I'm sorry, Lord Jesus.
begin to taste the dawn of a new dawn, and something like peace after the storm.
A rainbow is open about my life in search and now I know that after the storm comes the calm.
Lord Jesus, Lord of calmness and serenity, come with me on this new road opening.

I want Lord put in my eyes.
I want to open the eyes of your heart and with 'new eyes to see' look at the light and look for the goodness and beauty, truth and love in my heart hidden and silent.
I, Lord, build my life from life.
I raise my flight from a responsible freedom.
truth I want to make my way from the truth.
I, Lord, to live love and service from Love
I need you, You are the answer to my search.

Lord Jesus, I want a meaning for my life, I want to grow
looking for reasons for my existence;
find the ideal, the standard model of being human.
I, Lord Jesus, guide my life, give direction;
know the reason of my home, where I come.
I want the river of my life has its source in you.
I know the reason for what you do in life
know if my life worth living.
I want the meaning of my life be you. I know where
way to know which is the destination and the goal of my life.
I want you, Christ the Lord, you be the end of my road.

Lord Jesus, I want a life support from outside. I do not want crutches
not let me go away.
not want media that does not bear with my freedom. I do not want patches
my way, or masks to my problems.
hands I do not push me or give rope to my failure.
not want to stay in the skin of things while my heart is starving.
not want to opt for death, destruction, things that are just, by the smoke of straw.
not want to live on the surface, from the skin.
life I will not be empty, wasted life.

Lord Jesus I live strong, and from within!.
Lord Jesus, I ask you strength to choose.
Force to choose as a person, man.
Force to choose a sturdy faith in you
to opt for the community in which they live.
Force to choose a life plan;
to opt for those in need of help.
Force to choose a life without end;
to choose and live always determined to start anew.

Lord Jesus, open my eyes to the light of your truth.
Open my eyes to the human heart that transcends;
to the values \u200b\u200bof your kingdom.
Open my eyes to the goodness and tenderness, forgiveness, justice, brotherhood, truth, the purity and simplicity.
Lord Jesus, open my eyes to the values \u200b\u200bthat are not finished.
Lord Jesus, open my eyes beyond your death: a light and freedom of your Resurrection.

You, Lord Jesus, you're here in my new path.
You, Lord Jesus, you are here and offer me your life project.
I tell you:
are the answer to my question;
're the reason my reasons.
I tell you:
are the ideal of man I want;
you the project that I assume.
I tell you:
are the Person and the program of my life;
you the meaning of my life.

(Reread the text you personally and echoed the phrases that have touched our hearts)
Word
-Mt 27, 45-56

-order thinking: Life can only be understood looking back, can only be lived more looking ahead (S. Kierkegaard)

-ASPIRATIONS OF ETERNAL LIFE

live without living in me, and as high life

hope I die of not dying.

Vivo and out of me,
after I die of love because I live in
Lord
I wanted to herself when her heart
di
put it this sign,
I die of not dying.
This divine prison
I love to live, God has
my captive, and free my heart
;
and causes me such a passion to see God
my prisoner, I die
not dying.
Oh, how long is this life!
What drives these deportations!
This prison, these irons
in which the soul is stuck! Just wait for the output

hurts me so fierce,
I die of not dying.
Oh, what a life so bitter
do not enjoy the Lord!
Because if love is sweet,
hope it is not long;
quíteme God is loading
heavier than steel,
I die of not dying.

Only
confidence that I live to die, because dying to live

assures me my hope
death do to live is reached,
not come late, I wait,
I die of not dying. Look
love is strong;
life will not be disturbed, you only look
subtraction,
to win, to lose;
come on sweet death, dying
light comes
I die of not dying. That life
above,
which is the true life until this life
die
not enjoy being alive:
death not be my elusive;
dying alive first
I die of not dying. Life
what I can I give my
God lives in me,
if not lose you,
to deserve win?
I dying to reach you,
because both my beloved love,
I die of not dying.

(Santa Teresa de Jesus)

Mossberg &sons Model 195 K-a

Crash (Collision)


TECHNICAL 1.FICHA

Address: Paul Haggis.
Countries: USA and Germany.
Year: 2004.
Length: 100 min .
Genre: Drama .
Interpretation: Sandra Bullock (Jean Cabot), Don Cheadle (Detective Graham Waters), Matt Dillon (Sergeant Jack Ryan), Jennifer Esposito (Ria), William Fichtner (Jake Flanagan), Brendan Fraser (Fiscal Rick Cabot district), Terrence Dashon Howard (Cameron Thayer), Thandie Newton (Christine Thayer), Chris "Ludacris" Bridges (Anthony), Ryan Phillippe (Hansen), Larenz Tate (Peter).
Writer: Paul Haggis and Bobby Moresco, based on a story by Paul Haggis.
Production: Cathy Schulman, Don Cheadle, Bob Yari, Mark R. Harris, Bobby Moresco and Paul Haggis.
Music: Mark Isham .
Photo: James Muro.
Editing: Hughes Winborne .
production designer, Laurence Bennett .
Art Director: Brandee Dell 'Aringa.
Costumes: Linda M. Bass.

2.SINOPSIS

This exciting urban thriller tracks the fleeting encounter between a group of characters of different races who struggle to overcome their fears as they enter and leave the lives of others: a black police detective with a drug-addicted mother and a missing brother, two car thieves constantly theorizing on society, the busy district attorney and his irritable wife, a racist veteran cop (caring for her sick father) who does not like his young, idealistic partner, a successful television director and his haughty wife, a Persian immigrant who buys a gun, a Hispanic locksmith and his young daughter etc.

3. WHY "Crash" IS A FILM CAREER? NOTES FOR THE ENTERTAINER.

After seeing this great movie one is overwhelmed. However it is a film that tells a story, rather it is a picture of our Western society, especially the U.S. (Los Angeles). There are many stories told in a sequence of a few hours interwoven stories (you facing?), Stories of prejudice, racism, violence, fear, drama, humiliation ... In this sense, Alberto Abuín writes: " Haggis takes the city \u200b\u200band its characters, launches into space, and let them have a authentic and brutal clash between them. Browse through the fears and hopes of each, with rudder insurance. Some are hateful, other adorable, and the other a union of both. The mix, faces, and acts as almost a God to them, directing their lives at all times, making them go through extreme situations, and making them see that despite the stupid racial differences, and what can be this fucking life there's always room for understanding, for acceptance, for forgiveness, for love . "

However, we do not see extremely violent action to harm the sensitivity. The director makes a masterpiece to the story and history interspersed with moments of calm, quiet images and relaxing music to transcend. It gives us the opportunity to overcome what we see, to do our what we have referred and, above all, ask lots of questions, questions about the meaning of life and the world. And here is where we enter our vocational reflection. You can not focus on the characters as they are many. Neither in its evolution, as the story unfolds in just a day and a half. We are interested in film as a whole as a reflection of life and our place in the socidad.

Crash reflects the multicultural society U.S. where racism and stereotypes towards different and abroad are on the agenda. Reflects the distrust towards others in an urban society. Everything is confusing and all are labeled, no matter they are Persian, not Arab, Thai and not Chinese. The man acts out of fear and that is protected with guns. A fear that grips even those who have migrated to the "land of opportunity." "Crash" is a film about people, about the mood swings and spiritual dimensions of living in the city. In this sense, beyond each particular story, the main focus of the film falls on the psychology of the characters, their fears, paranoia, their suffering, their distance from the other, their anger, their violence, discrimination and racism. While each of the protagonists facing a particular situation, there is something that transcends what is happening and that serves as a link in common of all: the essential silence of most of his characters, the sense of infinite loneliness that invades the oppression suffered by feel so disjointed and disconnected with the world " (Leandro Marquez)

We are witnessing the escalation of violence, as experienced by the black host, which was innocent foolishly Police deal with a sense of revenge. We see a human being that knows no kindness with aggressive reactions and impulses that are sometimes surprising. Yes, sometimes we are surprised ourselves how aggressive we can be. We see a human being living in a bad mood since dawn. And worst of all, without knowing why, without finding reasons. We are witnessing the helplessness felt by some to want to deal with this dumb racist being manipulated. A human being ambiguous because neither the bad guys are as bad or good so good. So it remains a success that the director buries stereotypes of villains and heroes. Both are capable of doing and having the worst acts of generosity. It is sometimes the enemy becomes the friend and the friend from foe. It's all so complex!

The title Crash-Crash "is a whole definition and well presented at the beginning of the film:" You spend about people in LA nobody touches you, we miss the contact. We hit just to get back in touch . " It's the same message shown on the official website: " Moving at the speed of life, we are doomed to collide with each other." This comment is totally revealing: " tissue narrative is structured around the various collisions that are established between each of them encounters that could be simplified in accidents traffic, but whose substance deeper significance to shock us back in life get each one of us in the depths of our being. Shock as first-order narrative material, the impact, the confrontation between two opposing realities, between the cultures that inhabit a space that is continuously generate conflict within it a hotbed of incompatibilities, hatred, selfishness and violence "(taken from: http://www.miradas.net/2006/n46/criticas/01_crash.html ).

Against this background, it is the viewer can not help wondering what's all so much violence? Why hatred? Is there no other way to solve things, relate to each other? What has been the message of the Good News of Jesus? "I do the same? "I react the same way? What I can do to change this cycle of violence and aggression?

However, in the midst of all this is a scene that is the counterpoint of hope, openness to transcendence. When the Persian aiming the gun at a locksmith, your daughter is going to save because it has "a protective mantle." The simplicity, purity, selflessness and love of a girl who can not understand the danger they face, make the emergence of a miracle no one dies, all are saved and the aggressor, redeemed. He, who needed a gun to feel protected, it being protected by his angel. No doubt this scene is a ray of hope and lift us from this spiral of violence.

Crash got the 2005 Oscars for best picture, script and editing, and help us reflect on the meaning of life, violence, relationships with others and our mission in this so often violent world.

4.material FOR FILM WORK

4.1.Ver and analyze

- What the film leaves you feeling?

- What's the story, character or scene and called you the most?

"In general, how are the relationships between the various characters?

- Crash think is a reflection of our society?

- What do you suggest the title of the movie? Would you propose another one?

4.2.Nos

challenges

- What situations have suffered violence or aggression? How do you react?

- In what circumstances and with whom you show especially violent?

- Are the relationships you establish with the others are also "crash"?

- What do you do to control you?

- What feelings do you leave the world and society we are shown in Crash?

- What sense does such a world? Is it possible another world, another society?

- What can you do about it?

4.3.Oramos

-Canto

appropriate and known to all

-PRAYER FOR PEACE

Good God,

Thou hast been our refuge from generation to generation.

Peace You want to radiate over all humans.

directs with you the efforts of humanity to ensure that there

Peace and Justice among the nations of the earth and strengthen those who govern and work

foothold in the world. Enlighten

who gather to find ways to establish peace

, and through your word, transforms the hearts of

all men and women of the world, so we seek:

Peace Not War

the Common Good, rather than individual welfare

Your Justice, instead of self-glory.

You have given us your peace,

let us share it with those around us

for love and harmony are ever present in our lives,

everyone is happy, that we can live with dignity and how

brothers and all rejoice in your presence .

United in Diversity,

call upon your infinite grace, humbly beseech thee

receive our prayer and make us instruments of your peace.

Amen.

- SONGS FOR PEACE DAY

I gave him a dove

the son of the jailer.

say that flew just

to see him flying.

How beautiful the world is going to be

the jailer's son!

I gave him a hawk

the son of a terrorist: he

beak and claws cut

not to make more victims.

How beautiful the world is going to be the son

terrorist! Di

seeds of hope to the general's son,

and he began to sow

with Dad's gun.

How beautiful the world is going to be

general's son!

I offered a bouquet of flowers

son President:

he began to distribute them

and singing: "Long live the people."

How beautiful the world is going to be

president's son!

I gave one billion

the son of the great banker;

the Manos Unidas gave

for the hungry.

How beautiful the world is going to be

the son of the great banker!

(Horacio Guaraní)

-Reading the Word of God: Jn 20, 19-23

-Time for personal reflection, prayer and shared spontaneous.

-Prayer of St. Francis of Assisi

Lord

make me an instrument of your peace:

Where there is hatred, let me sow love;

where there is injury, let me sow pardon;

where there is discord, I may bring harmony;

where there is error, I may bring truth;

where there is doubt, faith;

where there is despair, let me sow hope;

where there is darkness, I light

where there is sadness, I may bring joy.

Not much

I strive to be consoled as to console;

to be understood as to understand;

be loved as to love;

for giving, receiving,

forgetting found;

pardoning we are pardoned;

dying, is resurrected to life.

-Father

What Does A Low And Open Cervix Mean

Azuloscurocasinegro

TECHNICAL 1.FICHA
Director / writer: Daniel Sánchez Arévalo
Country: Spain
Year: 2006
Length: 105 min
Genre: Drama
Cast: Quim Guitierrez (Jorge), Marta Etura (Paula) Raúl Arévalo (Israel), Antonio de la Torre (Antonio), Hector Colome (Andrew), Eva Pallares (Natalia), Manuel Morón (Fernando), Ana Wagener (Anna), Roberto Enríquez (Roberto)
Executive Producer: José Antonio Félez
Music: Pascal Gaigne
Photo: Juan Carlos Gomez
Art Director: Federico García

2.SINOPSIS
Jorge has inherited his father's work after he suffered a stroke. However, fighting a fate that seems inevitable. In recent years it has strived to do their job, caring for his father and study a career. Now his effort is to find another job. Through his brother Antonio, he meets Paula, with whom he develops a strange relationship that will encourage George to stop feeling responsible for everything and confront his own wishes, ignoring what others expect of him. Then everything would be different ... or not.

3. WHY "Azuloscurocasinegro" IS A FILM CAREER? NOTES FOR THE ENTERTAINER.
We are told in the film's official website that "Azulsocurocasinegro is a mood, an uncertain future, one color. A color that sometimes do not recognize that, depending on what light, what prism and what attitude you look at change. A color that reminds us that we often make mistakes and sometimes things are not the color that we see. " Find it necessary to start with this quote to frame the film, because it sometimes does not get to express this intention, being a bit fuzzy. It is a well constructed story at times, but in other cases it is unrealistic and unlikely.

The film tells the story of George, a guy like so many others. And around it are developing different relationships with different characters: his father, his brother, his girlfriend, his friend and eventually his brother's girlfriend. All bring something, all part of his life but we will focus especially him, because the history of Israel who discovers his friend his father's homosexuality and his own, I think that contributes much to our vocational interests. It is even a dollop in the narrative.

And who is George? George is a life unfulfilled. He lives in a way, the slave of his situation, a situation he has no choice. He wanted to escape his father and work in the goal (first frame of film) and has ended up being a slave to his father (patient) and work on that goal from which he fled. No goalie likes to work because it is something he has not chosen. In his spare time has been taking business career, but slavery is such that it can not not attend the ceremony of awarding diplomas. Looking for work and fails. He has no experience and his current work weighs heavily seems to take away prestige.

Jorge is also dissatisfied with his love life. The relationship with his girlfriend up simply because he does not feel sufficiently worthy. Natalia did not discover anything in proud, but it seems that is the same Jorge who feel self-conscious and "borrowed." She has always fled without daring to break completely. Natalia In the last discussion he reveals his own truth: "You shield yourself in your father and your brother, but you will not let you live."

In this context Jorge received a surprising request: to sleep with his brother's girlfriend so you can get pregnant. At first I accepted, but after hearing the story of Paula, her suffering, deception and abuse that has lived, ending almost worth clicking and also find something new (is the fate unchangeable?). The relationship of sex without love, it will be transformed into true love when the two give way to exchange feelings. It

highlight the decision to Paula. Mistreated in prison, seeking to become pregnant to go to the maternity module and escape from who made her suffer. We could say that using the child as a means to a selfish end. But it is not always the case. We can make a more open and suggestive interpretation to discover that maternity Paula makes free, leaving behind all their troubles. Continue living in prison, but more free.

the end, George takes two decisions out of their dissatisfaction. Escape the goal keeper to end up being another property. Jorge admits to his friend to "look for something to continue deceiving." It is still here, but in a suit "Azuloscurocasinegro." Wants to leave behind her father and brother, who leaves ignoring stab the father has given his brother. But to no avail. The last image of film is very telling, as it seems that everything ends in a personal failure. However it is open to multiple interpretations and it seems that history is still open to some extent.

The other decision is to leave his longtime girlfriend, Paula, which still has three years in prison. Perhaps this is a risky decision and truly open and unpredictable results. But it seems that one has realized that the relationship with Natalia never work and decides to overturn. So

Azulsocurocasinegro offers an antihero who decides to build the edifice of his life with other elements (Paula and other end, love and work) while escape from reality. Is one who does not win, not exceed their frustrations and their inferiority complex and changing ends to adapt the situation somewhat. George tries to build its personality, its own identity in the midst of a competitive society.

Last two notes:
- A commentary found in the blogosphere: "Behind the drama, the story hides an aura of optimism that, as reads the poster for the film: if you do not like the color of your life can be able to change it. "
- Text of the director: "The art of resignation and difficult process of learning is not only what happened to me haa me, but everything that contains the film in her womb. DarkBlueAlmostBlack is a story about characters who struggle against fate, against what is supposed to be written "in the stars." Characters caught on the other side of the crystal, fine crystal that faint, almost invisible but impossible to ignore, separating them from their dreams, against which beat constantly and forget daily with the ease of a freshwater minnow. Characters that do not differentiate between what they want and what they need, which costs them to resign, they want everything. And, little by little, they should learn to stop resisting, to stop swimming against the tide, not as a sign of conformity, but on the contrary, assume its own limitations, in order start moving. Little by little. To end on a completely different place they dreamed of, but equal to or more welcoming and pleasant. " Azuloscurocasinegro

allow us to work from a career point of view things like the meaning of life, responsibility, decisions, love and work, dreams and frustrations ...

Two interesting reviews:
- in Cineparaleer : http://80.34.38.142:8080/cineparaleer/index.php?option=com_content&task=view&id=130&Itemid=28
- in Muchocine: http://www.muchocine.net/ criticas/1058 /

A final consideration about sex. The film is the idea of \u200b\u200bsex frequently and in questionable circumstances and even unacceptable. Care should be taken so that the debate will not be here. Anyway, though no nudity, sex scenes are not explicit and are presented with tenderness.

4.material TO WORK THE MOVIE:

4.1.Vemos and analyze

- What the film leaves you feeling?
- What do you like history and the least?
- Who's George? How arises in your life? What dreams? What fears do you have?
- What is taking decisions in your life? Are they successful?
- What is your relationship with your father, brother, Natalia and Paula?
"At the end of the film at what has changed your life? Do you feel defeated?

4.2.Nos challenges

- What aspects of Jorge reflect your personality?
- In what sense do you feel trapped in your circumstances? Do you feel free?
- Where does the love and work as pillars in your life? How do you live?
- What are your dreams? Feeling frustrated? How to "survive" to this situation?
- What is the meaning of your life?

4.3.Oramos

-appropriate songs and known by the group.
Life-Cycle
• Always need to know when to just one stage of life. If you insist on staying in it beyond the time, you lose the joy and sense of rest. Closing circles, or closing doors or closing chapters, whatever you call it. The important thing is to close them, and let go moments of life to be decommissioned.
• Did you finish your work?, "Your relationship is over?, Are not live more in that house?, "You must go away?," The relationship is over?. You can spend much time in your present "wallowing" in the reasons, to return the tape and try to understand what happened this or that fact.
• Wear will be infinite, because in life, you, me, your friend, your sons, your brothers, we all are on track to be closing chapters, go turning the page, to end stages, or moments of life and move on.
• We can not have this yearning for the past. Not even wondering why. What happened, happened, and must be released, is to be discarded. We can not be eternal children or late teens or employees of non-existent, or links to those who do not want to be tied to us.
• The facts go and let them go! So sometimes it is so important to destroy souvenirs, gifts presents, moving house, ripping paper, throwing papers, and sell or give away books.
• External changes may symbolize internal process improvement. Letting go, drop, discard. In life no one played with marked cards, and must learn to lose and win. You have to let go, you have to turn the page, must live only what we have at present.
• The past is gone. Do not wait to get it back, no expect to be recognized, do not expect ever to realize who you are. Release the resentment. The turn on "your personal television" to give and give to the matter, all that does is hurt you mentally, poison and bitterness. • Life is
forward, never backward. If you walk through life leaving open door, just in case, you can never let go and live as of today with satisfaction. "Dating or friends not closed down?," Possibilities of return? (What?) Need for clarification?, Words that were not said?, "Silences that invaded?
• If you can face them and now, do it, if not, let go, closing chapters. Tell yourself that no, not again. But not for pride or arrogance, but because you no longer fit in there in that place in his heart, in that room in that house at that office, that office.
• You're not the same as you were two days ago, three months ago, a year ago. Therefore, there is nothing to return. Close the door, turn the page, close the circle. Thou shalt not be the same, or the environment when you return will be equal, because in life nothing stays still, nothing is static. It is mental health, love yourself, releasing what is no longer in your life.
• Remember that nothing and no one is indispensable. Not one person neither a place nor a job. Nothing is vital for life because when you came to this world, came without the sticker. Therefore, it is customary to live close to it, and is a personal work learning to live without him, without human or physical bonding that today it hurts to let go.
• is a process of learning to let go and humanly possible to accomplish, because I repeat: nothing and no one is indispensable. Only habit, addiction, need. But close, close, clean, strip, oxygenates, Let go, shake, let go.
• There are many words to mean mental health and whatever you choose, you will definitely help and to move forward with confidence. That
is life!
(Paulo Cohelo)
-Biblical text: Genesis 12, 1-9
-time for personal reflection. After leaving room for the participation to share what reflected on the film and the Word of God. You can also pray aloud.
-Prayer:
Lord, we ask:
Energy to fight;
greatness of soul to love;
Nobility not to be despised;
Rebellion against the evil passions;
sincerity not to be fakes;
Burning to live our Christian ideal ;
joy to see live;
Gallantry to confess your true;
spirit of sacrifice to be stronger;
Light to know our shortcomings;
Enthusiasm for your apostles;
Courage to bear witness to you;
Love to love you with total loyalty;
Everything, Lord, even if it hurts, because I love
.
-Father

Cruising Spots Near Portland Me

More than friends

TECHNICAL 1.FICHA

Director: Edward Norton .

original title: Keeping the Faith

Cast: Edward Norton (Jake), Ben Stiller (Brian), Jenna Elfman (Anna), Anne Bancroft (Ruth), Eli Wallach (Rabbi Lewis) Ron Rifkin (Larry Friedman), Milos Forman (Father Havel).

Country: United States .

Year: 2000.

Production: Hawk Koch, Edward Norton and Stuart Blumberg for Koch Co. / Norton-Blumberg and Barber / Birnbaum.

Screenplay: Stuart Blumberg .

Music: Elmer Bernstein .

Photography: Anastas Michos .

Art Direction: Chris Shriver.

Duration: 127 minutes .

2.SINOPSIS

A Catholic priest and a Jewish rabbi are friends since childhood. So was a girl who had to leave New York when his parents moved. Now she returns to the Big Apple executive turned into an attractive ... With this nice young start-and-talented Edward Norton's directorial debut and gives us an entertaining and endearing comedy about friendship and love, with the aroma of the nostalgic romances of Hollywood gold. The male protagonist duo wasted complicity and understanding, love Elfman charming. Thus, giving away smiles, no big stars and huge BUDGET, a title he deserved a better fate in their box office results, it is undoubtedly one of the best romantic comedies of recent years.

3. WHY "More than Friends" IS A FILM CAREER? NOTES FOR THE ENTERTAINER.

Nothing like a nice comedy to address the issue of celibacy, sexuality and affectivity in the consecrated life. Sometimes this dimension is presented during training as an ascetic merely undiscovered all its positive potential. We therefore propose that this film work well with those already in the seminary or house of formation, along with priests and religious youth who have made the consecration. Although it presents the theme of love from the male point of view, we see no objection to the film can be worked with novices and nuns. Everything depends, as always, the art of the animator / a. It is advisable to work with young people who are in discernment before deciding to enter into a formation because it can be counterproductive.

More than friends is framed in such films emotional stories of young 30 years living and personal dissatisfactions various entanglements. Gives us a triangle with three characters who have a completely different emotional approach: Brian is a Catholic priest who obviously can not get married, Jake is a rabbi who has to marry because there has never been a great rabbi singles in your community but feel pressured by it and believes that women will want more for their success and popularity as a rabbi himself. Finally, there is Anna, a beautiful executive who lives for his work, "no time for boyfriends " and has a "special relationship with your mobile ." All three are

old childhood friends who grew up together for a long time until the girl changed city. Their reunion after a few years is full of funny situations when the passions of yesteryear are reborn.

At first the film presents a young rabbi and the priest and young people happy and satisfied with their role, with the intention of changing the forms, presenting "the old God modern ideas ", distinguishing between faith and religion and ecumenical friendship difficult to understand. In reviewing the history of their vocation is said to have a go at the seminar " as an adventure."

Then there are a number of relationships between them, which can draw some interesting conclusions.

* The relationship between Jake (the rabbi) and Anna. It is presented as a game to meet the needs of everyone without any compromise between them. But Anna is discovering experiences and feelings he had lost. Is willing to put even a big promotion at work to continue with Jake. But he does not have clear, then it would take to deal with all the synagogue. It's a casual sex relationship as a " to see if this works ."

* The relationship between Brian and Anna: We say that Brian will love slowly because it will allow gestures and contacts, kisses and looks that are entangled. This means more than the "innocent friendship first" might mean. This leads him to misinterpret the reality: he believes that Anna loves him when in fact, is dating her friend. Brian makes the boundaries and differences are erased and confused leading to a state of uncertainty: Who am I?

Two conversations, two moments that deserve to be highlighted with care:

* First, the conversation that Brian and Anna have an afternoon on a bridge. Are a series of questions that anyone has ever heard consecrated, sometimes by simple lewd and another by a deep and sincere desire to know the experience of celibacy. Have to look at the reasons that Brian gives to his life celibate. Rather, they are of mere functionality and not even mention the idea of \u200b\u200bfollowing Jesus. In principle reasons are insufficient, so that does not serve to hold when the crisis arrives. Should be added that if he had stopped to listen to Anna when it was called, before confessing his love for her, would have prevented the "blunder": she loved him.

* Second, the one with Brian with the pastor in a context of openness of heart and support. The idea that the choice of celibacy " is a decision every day "deserves to be retained and assumed.

One last detail is Anna's behavior towards Brian. It is not "blaming women", but it is clear and she recognizes him, he used ambiguous body language, which has led the priest to be misconceptions. A notice to mariners no doubt.

An unpretentious comedy that you can spare the 30 minutes without doubt also because the end is predictable.

vocational Topics: affection, sexuality, celibacy, life choice, support, relationship with the opposite sex, making ...

4.material FOR FILM WORK

4.1.Ver and analyze

- have in common What Brian and Jake?

- What it means and means for them to Anna when she returns?

- How is the relationship between Jake and Anna? How do you value?

- What are the reasons for their celibacy gives Brian to Anna? Are you convinced?

- What it takes Brian to go into crisis?

"The film has three titles: The Faith Keepint (original title" Conserving / Holding faith "), More than friends (in Spain) and Divine Temptations (Latin America). Who among them will be more appropriate? Why?

4.2.Nos

challenges

- What makes the movie feel?

- Do you think I played well the issue of celibacy? What convinces you and why not?

"When you ask about your celibacy das what reasons? What feelings do you have? Do you experience fun, respect, silence, misunderstanding ...?

- What is your relationship with the other sex: calm, caution, fear, true friendship?

- Have you ever had the feeling of being in "dangerous territory" with a particular relationship? What measures have you taken?

"Really, how you live your celibacy? Why have you chosen him?

4.3.Oramos

-appropriate songs

-Prayer:

LOVE ALL

Lord, teach us,

not love ourselves,

not only love our friends,

love not only those who love us.

Teach us to think of others and love

especially

those whom nobody loves.

Give us the grace to understand that

while we live a life too happy,

there are millions of human beings,

are also your sons and brothers of ours,

starving, dying of

cold

die without having deserved cold ...

Lord, have mercy on all

the world's poor. And do not let

Lord,

we live happily alone.

Make us feel the anguish

of universal misery,

and deliver us from our selfishness. Amen.

(R. Follereau)

-

NOTICE A FEW "want to be celibate

be an armed peace, comrades, will

life this battle

the crater of meat, only silent

when death silences their braziers.

No fire in the home and sleep silent

childless knees and mouth,

sometimes you will feel that touches the ice, loneliness

kiss you often.

is not let the heart no weddings. You will have

to love all, all, all,

disciples of Him who first loved them.

Loss for the Kingdom and conquered a peace

be as free as armed

will Love loved the whole body.
(Pedro Casaldaliga)

-Word of God: Luke 14, 25-33

Moment of silence and meditation. Then invited to share from the reflections about the film and the Word of God.

-Pages from the diary of Mary:

II

I remember all my friends lived in hope, intertwined

games, believed to live singing.

I was left out of things,

emptying, like a cup

neither suspected

siquiea

why it was created as open.

Everyone wanted to live a long and very fast;

I was falling into the mystery

overwhelmed and alone, but never

never closed,

living as a stem

has already handcuffed inside

flowers and the scent of flowers

and joy that no one sees, but they are already burning.

So I was watching the birds,

guessing my wings.

VI

unwilling

What was the soul! I knew: a virgin

not have a vacuum, but burn,

children is lacking, but hunger is not

mourn at the entrance of the desert, but

walk free among gardens.

So I had to look poverty. The poor soul was

inadvertently. Only rich

of joy, full of freedom from captivity.

(JLMartín Barefoot Mary Ed.Sígueme Apocrypha)

-VIII century

Prayer

Lord

stay with me and guide my actions,

my words and thoughts.

Keep my feet,

to walk not idle, but

walk to meet the needs of others.

keep my hands,

to not open for evil,

but to embrace and help everyone.

keep my mouth for

does not tell falsehoods or improper things

and not speak ill of others.

Instead, you're always ready

to encourage and to bless all of you,

Lord of life.

keep my ears

not to waste time listening to

false or nonsense words, but

are always attentive to hear your mysterious message to meet today

your own will. Amen