Wednesday, January 23, 2008

What Does A Low And Open Cervix Mean

Azuloscurocasinegro




TECHNICAL 1.FICHA
Director / writer: Daniel Sánchez Arévalo
Country: Spain
Year: 2006
Length: 105 min
Genre: Drama
Cast: Quim Guitierrez (Jorge), Marta Etura (Paula) Raúl Arévalo (Israel), Antonio de la Torre (Antonio), Hector Colome (Andrew), Eva Pallares (Natalia), Manuel Morón (Fernando), Ana Wagener (Anna), Roberto Enríquez (Roberto)
Executive Producer: José Antonio Félez
Music: Pascal Gaigne
Photo: Juan Carlos Gomez
Art Director: Federico García

2.SINOPSIS
Jorge has inherited his father's work after he suffered a stroke. However, fighting a fate that seems inevitable. In recent years it has strived to do their job, caring for his father and study a career. Now his effort is to find another job. Through his brother Antonio, he meets Paula, with whom he develops a strange relationship that will encourage George to stop feeling responsible for everything and confront his own wishes, ignoring what others expect of him. Then everything would be different ... or not.

3. WHY "Azuloscurocasinegro" IS A FILM CAREER? NOTES FOR THE ENTERTAINER.
We are told in the film's official website that "Azulsocurocasinegro is a mood, an uncertain future, one color. A color that sometimes do not recognize that, depending on what light, what prism and what attitude you look at change. A color that reminds us that we often make mistakes and sometimes things are not the color that we see. " Find it necessary to start with this quote to frame the film, because it sometimes does not get to express this intention, being a bit fuzzy. It is a well constructed story at times, but in other cases it is unrealistic and unlikely.
The film tells the story of George, a guy like so many others. And around it are developing different relationships with different characters: his father, his brother, his girlfriend, his friend and eventually his brother's girlfriend. All bring something, all part of his life but we will focus especially him, because the history of Israel who discovers his friend his father's homosexuality and his own, I think that contributes much to our vocational interests. It is even a dollop in the narrative.
And who is George? George is a life unfulfilled. He lives in a way, the slave of his situation, a situation he has no choice. He wanted to escape his father and work in the goal (first frame of film) and has ended up being a slave to his father (patient) and work on that goal from which he fled. No goalie likes to work because it is something he has not chosen. In his spare time has been taking business career, but slavery is such that it can not not attend the ceremony of awarding diplomas. Looking for work and fails. He has no experience and his current work weighs heavily seems to take away prestige.
Jorge is also dissatisfied with his love life. The relationship with his girlfriend up simply because he does not feel sufficiently worthy. Natalia did not discover anything in proud, but it seems that is the same Jorge who feel self-conscious and "borrowed." She has always fled without daring to break completely. Natalia In the last discussion he reveals his own truth: "You shield yourself in your father and your brother, but you will not let you live."
In this context Jorge received a surprising request: to sleep with his brother's girlfriend so you can get pregnant. At first I accepted, but after hearing the story of Paula, her suffering, deception and abuse that has lived, ending almost worth clicking and also find something new (is the fate unchangeable?). The relationship of sex without love, it will be transformed into true love when the two give way to exchange feelings. It
highlight the decision to Paula. Mistreated in prison, seeking to become pregnant to go to the maternity module and escape from who made her suffer. We could say that using the child as a means to a selfish end. But it is not always the case. We can make a more open and suggestive interpretation to discover that maternity Paula makes free, leaving behind all their troubles. Continue living in prison, but more free.
the end, George takes two decisions out of their dissatisfaction. Escape the goal keeper to end up being another property. Jorge admits to his friend to "look for something to continue deceiving." It is still here, but in a suit "Azuloscurocasinegro." Wants to leave behind her father and brother, who leaves ignoring stab the father has given his brother. But to no avail. The last image of film is very telling, as it seems that everything ends in a personal failure. However it is open to multiple interpretations and it seems that history is still open to some extent.
The other decision is to leave his longtime girlfriend, Paula, which still has three years in prison. Perhaps this is a risky decision and truly open and unpredictable results. But it seems that one has realized that the relationship with Natalia never work and decides to overturn. So
Azulsocurocasinegro offers an antihero who decides to build the edifice of his life with other elements (Paula and other end, love and work) while escape from reality. Is one who does not win, not exceed their frustrations and their inferiority complex and changing ends to adapt the situation somewhat. George tries to build its personality, its own identity in the midst of a competitive society.
Last two notes:
- A commentary found in the blogosphere: "Behind the drama, the story hides an aura of optimism that, as reads the poster for the film: if you do not like the color of your life can be able to change it. "
- Text of the director: "The art of resignation and difficult process of learning is not only what happened to me haa me, but everything that contains the film in her womb. DarkBlueAlmostBlack is a story about characters who struggle against fate, against what is supposed to be written "in the stars." Characters caught on the other side of the crystal, fine crystal that faint, almost invisible but impossible to ignore, separating them from their dreams, against which beat constantly and forget daily with the ease of a freshwater minnow. Characters that do not differentiate between what they want and what they need, which costs them to resign, they want everything. And, little by little, they should learn to stop resisting, to stop swimming against the tide, not as a sign of conformity, but on the contrary, assume its own limitations, in order start moving. Little by little. To end on a completely different place they dreamed of, but equal to or more welcoming and pleasant. " Azuloscurocasinegro
allow us to work from a career point of view things like the meaning of life, responsibility, decisions, love and work, dreams and frustrations ...
A final consideration about sex. The film is the idea of \u200b\u200bsex frequently and in questionable circumstances and even unacceptable. Care should be taken so that the debate will not be here. Anyway, though no nudity, sex scenes are not explicit and are presented with tenderness.

4.material TO WORK THE MOVIE:
4.1.Vemos and analyze
- What the film leaves you feeling?
- What do you like history and the least?
- Who's George? How arises in your life? What dreams? What fears do you have?
- What is taking decisions in your life? Are they successful?
- What is your relationship with your father, brother, Natalia and Paula?
"At the end of the film at what has changed your life? Do you feel defeated?

4.2.Nos challenges
- What aspects of Jorge reflect your personality?
- In what sense do you feel trapped in your circumstances? Do you feel free?
- Where does the love and work as pillars in your life? How do you live?
- What are your dreams? Feeling frustrated? How to "survive" to this situation?
- What is the meaning of your life?

4.3.Oramos

-appropriate songs and known by the group.
Life-Cycle
• Always need to know when to just one stage of life. If you insist on staying in it beyond the time, you lose the joy and sense of rest. Closing circles, or closing doors or closing chapters, whatever you call it. The important thing is to close them, and let go moments of life to be decommissioned.
• Did you finish your work?, "Your relationship is over?, Are not live more in that house?, "You must go away?," The relationship is over?. You can spend much time in your present "wallowing" in the reasons, to return the tape and try to understand what happened this or that fact.
• Wear will be infinite, because in life, you, me, your friend, your sons, your brothers, we all are on track to be closing chapters, go turning the page, to end stages, or moments of life and move on.
• We can not have this yearning for the past. Not even wondering why. What happened, happened, and must be released, is to be discarded. We can not be eternal children or late teens or employees of non-existent, or links to those who do not want to be tied to us.
• The facts go and let them go! So sometimes it is so important to destroy souvenirs, gifts presents, moving house, ripping paper, throwing papers, and sell or give away books.
• External changes may symbolize internal process improvement. Letting go, drop, discard. In life no one played with marked cards, and must learn to lose and win. You have to let go, you have to turn the page, must live only what we have at present.
• The past is gone. Do not wait to get it back, no expect to be recognized, do not expect ever to realize who you are. Release the resentment. The turn on "your personal television" to give and give to the matter, all that does is hurt you mentally, poison and bitterness. • Life is
forward, never backward. If you walk through life leaving open door, just in case, you can never let go and live as of today with satisfaction. "Dating or friends not closed down?," Possibilities of return? (What?) Need for clarification?, Words that were not said?, "Silences that invaded?
• If you can face them and now, do it, if not, let go, closing chapters. Tell yourself that no, not again. But not for pride or arrogance, but because you no longer fit in there in that place in his heart, in that room in that house at that office, that office.
• You're not the same as you were two days ago, three months ago, a year ago. Therefore, there is nothing to return. Close the door, turn the page, close the circle. Thou shalt not be the same, or the environment when you return will be equal, because in life nothing stays still, nothing is static. It is mental health, love yourself, releasing what is no longer in your life.
• Remember that nothing and no one is indispensable. Not one person neither a place nor a job. Nothing is vital for life because when you came to this world, came without the sticker. Therefore, it is customary to live close to it, and is a personal work learning to live without him, without human or physical bonding that today it hurts to let go.
• is a process of learning to let go and humanly possible to accomplish, because I repeat: nothing and no one is indispensable. Only habit, addiction, need. But close, close, clean, strip, oxygenates, Let go, shake, let go.
• There are many words to mean mental health and whatever you choose, you will definitely help and to move forward with confidence. That
is life!
(Paulo Cohelo)
-Biblical text: Genesis 12, 1-9
-time for personal reflection. After leaving room for the participation to share what reflected on the film and the Word of God. You can also pray aloud.
-Prayer:
Lord, we ask:
Energy to fight;
greatness of soul to love;
Nobility not to be despised;
Rebellion against the evil passions;
sincerity not to be fakes;
Burning to live our Christian ideal ;
joy to see live;
Gallantry to confess your true;
spirit of sacrifice to be stronger;
Light to know our shortcomings;
Enthusiasm for your apostles;
Courage to bear witness to you;
Love to love you with total loyalty;
Everything, Lord, even if it hurts, because I love
.
-Father

Monday, January 14, 2008

Cruising Spots Near Portland Me

More than friends


TECHNICAL 1.FICHA

Director: Edward Norton .

original title: Keeping the Faith

Cast: Edward Norton (Jake), Ben Stiller (Brian), Jenna Elfman (Anna), Anne Bancroft (Ruth), Eli Wallach (Rabbi Lewis) Ron Rifkin (Larry Friedman), Milos Forman (Father Havel).

Country: United States .

Year: 2000.

Production: Hawk Koch, Edward Norton and Stuart Blumberg for Koch Co. / Norton-Blumberg and Barber / Birnbaum.

Screenplay: Stuart Blumberg .

Music: Elmer Bernstein .

Photography: Anastas Michos .

Art Direction: Chris Shriver.

Duration: 127 minutes .

2.SINOPSIS

A Catholic priest and a Jewish rabbi are friends since childhood. So was a girl who had to leave New York when his parents moved. Now she returns to the Big Apple executive turned into an attractive ... With this nice young start-and-talented Edward Norton's directorial debut and gives us an entertaining and endearing comedy about friendship and love, with the aroma of the nostalgic romances of Hollywood gold. The male protagonist duo wasted complicity and understanding, love Elfman charming. Thus, giving away smiles, no big stars and huge BUDGET, a title he deserved a better fate in their box office results, it is undoubtedly one of the best romantic comedies of recent years.

3. WHY "More than Friends" IS A FILM CAREER? NOTES FOR THE ENTERTAINER.

Nothing like a nice comedy to address the issue of celibacy, sexuality and affectivity in the consecrated life. Sometimes this dimension is presented during training as an ascetic merely undiscovered all its positive potential. We therefore propose that this film work well with those already in the seminary or house of formation, along with priests and religious youth who have made the consecration. Although it presents the theme of love from the male point of view, we see no objection to the film can be worked with novices and nuns. Everything depends, as always, the art of the animator / a. It is advisable to work with young people who are in discernment before deciding to enter into a formation because it can be counterproductive.

More than friends is framed in such films emotional stories of young 30 years living and personal dissatisfactions various entanglements. Gives us a triangle with three characters who have a completely different emotional approach: Brian is a Catholic priest who obviously can not get married, Jake is a rabbi who has to marry because there has never been a great rabbi singles in your community but feel pressured by it and believes that women will want more for their success and popularity as a rabbi himself. Finally, there is Anna, a beautiful executive who lives for his work, "no time for boyfriends " and has a "special relationship with your mobile ." All three are

old childhood friends who grew up together for a long time until the girl changed city. Their reunion after a few years is full of funny situations when the passions of yesteryear are reborn.

At first the film presents a young rabbi and the priest and young people happy and satisfied with their role, with the intention of changing the forms, presenting "the old God modern ideas ", distinguishing between faith and religion and ecumenical friendship difficult to understand. In reviewing the history of their vocation is said to have a go at the seminar " as an adventure."

Then there are a number of relationships between them, which can draw some interesting conclusions.

* The relationship between Jake (the rabbi) and Anna. It is presented as a game to meet the needs of everyone without any compromise between them. But Anna is discovering experiences and feelings he had lost. Is willing to put even a big promotion at work to continue with Jake. But he does not have clear, then it would take to deal with all the synagogue. It's a casual sex relationship as a " to see if this works ."

* The relationship between Brian and Anna: We say that Brian will love slowly because it will allow gestures and contacts, kisses and looks that are entangled. This means more than the "innocent friendship first" might mean. This leads him to misinterpret the reality: he believes that Anna loves him when in fact, is dating her friend. Brian makes the boundaries and differences are erased and confused leading to a state of uncertainty: Who am I?

Two conversations, two moments that deserve to be highlighted with care:

* First, the conversation that Brian and Anna have an afternoon on a bridge. Are a series of questions that anyone has ever heard consecrated, sometimes by simple lewd and another by a deep and sincere desire to know the experience of celibacy. Have to look at the reasons that Brian gives to his life celibate. Rather, they are of mere functionality and not even mention the idea of \u200b\u200bfollowing Jesus. In principle reasons are insufficient, so that does not serve to hold when the crisis arrives. Should be added that if he had stopped to listen to Anna when it was called, before confessing his love for her, would have prevented the "blunder": she loved him.

* Second, the one with Brian with the pastor in a context of openness of heart and support. The idea that the choice of celibacy " is a decision every day "deserves to be retained and assumed.

One last detail is Anna's behavior towards Brian. It is not "blaming women", but it is clear and she recognizes him, he used ambiguous body language, which has led the priest to be misconceptions. A notice to mariners no doubt.

An unpretentious comedy that you can spare the 30 minutes without doubt also because the end is predictable.

vocational Topics: affection, sexuality, celibacy, life choice, support, relationship with the opposite sex, making ...

4.material FOR FILM WORK

4.1.Ver and analyze

- have in common What Brian and Jake?

- What it means and means for them to Anna when she returns?

- How is the relationship between Jake and Anna? How do you value?

- What are the reasons for their celibacy gives Brian to Anna? Are you convinced?

- What it takes Brian to go into crisis?

"The film has three titles: The Faith Keepint (original title" Conserving / Holding faith "), More than friends (in Spain) and Divine Temptations (Latin America). Who among them will be more appropriate? Why?

4.2.Nos

challenges

- What makes the movie feel?

- Do you think I played well the issue of celibacy? What convinces you and why not?

"When you ask about your celibacy das what reasons? What feelings do you have? Do you experience fun, respect, silence, misunderstanding ...?

- What is your relationship with the other sex: calm, caution, fear, true friendship?

- Have you ever had the feeling of being in "dangerous territory" with a particular relationship? What measures have you taken?

"Really, how you live your celibacy? Why have you chosen him?

4.3.Oramos

-appropriate songs

-Prayer:

LOVE ALL

Lord, teach us,

not love ourselves,

not only love our friends,

love not only those who love us.

Teach us to think of others and love

especially

those whom nobody loves.

Give us the grace to understand that

while we live a life too happy,

there are millions of human beings,

are also your sons and brothers of ours,

starving, dying of

cold

die without having deserved cold ...

Lord, have mercy on all

the world's poor. And do not let

Lord,

we live happily alone.

Make us feel the anguish

of universal misery,

and deliver us from our selfishness. Amen.

(R. Follereau)

-

NOTICE A FEW "want to be celibate

be an armed peace, comrades, will

life this battle

the crater of meat, only silent

when death silences their braziers.

No fire in the home and sleep silent

childless knees and mouth,

sometimes you will feel that touches the ice, loneliness

kiss you often.

is not let the heart no weddings. You will have

to love all, all, all,

disciples of Him who first loved them.

Loss for the Kingdom and conquered a peace

be as free as armed

will Love loved the whole body.
(Pedro Casaldaliga)

-Word of God: Luke 14, 25-33

Moment of silence and meditation. Then invited to share from the reflections about the film and the Word of God.

-Pages from the diary of Mary:

II

I remember all my friends lived in hope, intertwined

games, believed to live singing.

I was left out of things,

emptying, like a cup

neither suspected

siquiea

why it was created as open.

Everyone wanted to live a long and very fast;

I was falling into the mystery

overwhelmed and alone, but never

never closed,

living as a stem

has already handcuffed inside

flowers and the scent of flowers

and joy that no one sees, but they are already burning.

So I was watching the birds,

guessing my wings.

VI

unwilling

What was the soul! I knew: a virgin

not have a vacuum, but burn,

children is lacking, but hunger is not

mourn at the entrance of the desert, but

walk free among gardens.

So I had to look poverty. The poor soul was

inadvertently. Only rich

of joy, full of freedom from captivity.

(JLMartín Barefoot Mary Ed.Sígueme Apocrypha)

-VIII century

Prayer

Lord

stay with me and guide my actions,

my words and thoughts.

Keep my feet,

to walk not idle, but

walk to meet the needs of others.

keep my hands,

to not open for evil,

but to embrace and help everyone.

keep my mouth for

does not tell falsehoods or improper things

and not speak ill of others.

Instead, you're always ready

to encourage and to bless all of you,

Lord of life.

keep my ears

not to waste time listening to

false or nonsense words, but

are always attentive to hear your mysterious message to meet today

your own will. Amen