Patch Adams Beethoven
Monday, March 31, 2008
Aching Pain In Bottom Left Of Abdomen

TECHNICAL 1.FICHA
Tom Shadyac
Address Year 1998
Comedy Country USA Duration
115 m.
T. Interpreters original
Patch Adams Robin Williams (Patch Adams), Daniel London (Truman) Monica Potter (Carin) Philip Seymour Hoffman (Mitch), Bob Gunton (Dean Walcott) Written by Steve Oedekerk
Photo Phedon Papamichael Music Marc Shaiman
Mount Don Zimmermann
2.SINOPSIS
Based on a true story, the film is the biography of the doctor who revolutionized Patch Adams official medical community using singular therapies consisting of making people laugh and provide love to cancer patients.
3. WHY "Patch Adams" IS A FILM CAREER? NOTES FOR THE ENTERTAINER
Based on a true story Patch Adams is presented as a typical vocational film about the evolution and mission of a character we might call "charismatic."
After a suicide attempt, Patch feels healed in the hospital after a surprisingly helped her roommate to overcome their fears. This gives you a orientaición and purpose to your life. It is a form of conversion, he wants to help people, listen, offer advice and hope. But he knows he needs to be formed, so a few years later began to study measurements but it is something more to it.
Although studies with all their hopes, objeteniendo buencas ratings, Patch is the university too cold and theoretical, more concerned with knowing that in the humane treatment and close with patients more focused on having the title of doctor to improve quality of life of patients. For him, the patient is more important than the disease itself. So break the rules for practice which are reserved for students from third career.
As often happens in these films, the ideals of Patch Adams will face down the incomprehension of their environment. First is the medicine as an institution, symbolized in the rector and director of the hospital which reflects the tradition, knowledge and experience. Not only that, but also experience the closest misunderstanding: the friend who remains without much conviction, the roommate who is insulted by their methods and the girl who seeks recognition and prestige of a student passes appeared so serious.
Patch as it is a natural passion, not laughing at the difficulties and get both Truman and the girl remain in a totally new: a home where welcome all those who are rejected by the system, their bureaucracies and their health insurance.
be two moments of crisis that Patch will be overcome. First confrontation with the insititución when the director threatens to throw him, it represents a danger to the system. Pach not be difficult to overcome, learned in the hospital not to focus or focus on the problem, but go beyond, always forward.
The second crisis is more personal and difficult to overcome. Carin's death he breaks his schemes and his ideals of love and trust the natural goodness people. He feels disappointed with himself. Wanting to go too far has caused the death of the girl he loved as a teenager. Although we encourage him to stay, but his old nemesis and roommate asks you, Patch Adams will leave. Only overcome this situation through prayer, a prayer of protest and hopefully, over the edge and on the verge of suicide. But a sentence in response.
These items will get to the end of the film in a typical trial of "good and bad." This is where the film is weakest and weakest and predictable script. The jucie will definitely be between the origin and meaning of medical practice, the prestige and knowledge. The charism and institution. Patch Adams
can work in such topics as the mission of sharing their lives with the needy, motivations, he served as therapy, overcoming problems and difficulties when there is a dream, the binomial charisma-institution ... Is to see and discover the vocation and passion to serve.
To complete this review suggest some sites that help to understand the real Patch Adams. I have to work something that can be found here give a more realistic view of history:
- http://www.patchadams.org/campaign/: Gesundheit Institute is founded by Patch Adams.
- http://www.taringa.net/posts/noticias/841861/El-verdadero-Patch-Adams.html : Life, words, pictures and videos of Patch Adams.
- http://www.kindsein.com/es/22/2/530/ Life and phrases.
4.material FOR FILM WORK
4.1.Ver and analyze
- What is it that saves Patch Adams to their problems?
- What drives you to study medicine? What do you hope to learn?
- What is Patch Adams?
- Why and for whom it is not accepted?
- What crisis exceeds suffers and how?
4.2.Nos challenges
- What challenges will the character of Patch Adams?
- Have you experienced a time in your life it has been a turning point and inflection? How have you been?
- What time did you feel like Patch disappointed by the coldness of the institutional?
- You ask your life as a service? In what sense?
- Experience "What you want to help others and feel misunderstood or oppressed by certain rules? How do you get through it?
- Can you have some experience you've lived in that humor has helped to overcome a difficult situation?
- What is the value in your life the humor and laughter?
4.3.Oramos
-known singing group.
-Prayer of humor
Lord, give me a good digestion
and, of course, something to digest. Dame
bodily health and good humor needed to keep it. Dame
a healthy soul, Lord, have always
the eyes what is good and pure,
so that, before the sin, not shocked me, but who knows
find ways to remedy it.
Give me a soul that knows no boredom,
purrs, sighs and lamentations.
And do not let
take too seriously this thing called nosy self.
Dame, Lord, sense of humor. Dame
knowing laugh at a joke, so you know
get a little joy to life
and can share it with others
(St. Thomas More)
-Proclamation of the Word of God, Phil 4, 4-9
Moment for reflection and personal prayer
-Text: "Sense of humor" by José María R. Olaizola sj
There are all kinds of laughter. Loud laughter and giggling idiots. Infectious laugh, which will cause at least a smile, and raucous laughter raises you wish to strangle someone (usually the laughing). There
giggles, the one that you miss when you do not know how to react, a frequent version is laughter giggles alcohol, also known as "dot", "Puntin" or similar. Laughter is forced to the league, and sometimes you have to qualify it as false (laugh thanks for that to be cheap either), other times, however, is rather benign (not made you any grace, but not so funny discourage funny).
One can laugh alone, which happens if you remember a comic episode, or if you are in love, or if it appears that, for once, all is well. It's nice to laugh in a group, when you get one of those moments of relaxation, we do not know how they come to arise, but the fact is that in some circumstances you are well, happy, lively, friendly, confident with yours.
What is clear is that a world without laughter would be an inhuman world. A world of humanoids without feelings that world is so typical of a science fiction movie in which an alien species takes human bodies, shells insensitive then converted (by the way, did the whole day walking fast, pissed, in a hurry , with the feeling never come, of being overwhelmed by the urgent and serious, very serious, will be the first symptom of "alien invasion"?)
seems that it is necessary to laugh, but not worth anyone. Sticking up for a laugh quality means quality sincere. Share the joy. It is important to laugh at the small, so simple even so simple. We need to have time to look naive to things, and find the funny side, the problems and also (mostly) to their own obsessions and neuroses. View past with a dash of humor is the first step to living reconciliation. Be joyful in the present is a form of simplicity. And look forward with joy is hope. Smile.
(From http://www.pastoralsj.org/secciones/colaboraciones.asp?id=48)
-Prayer of the clown.
Lord
I play, but I love you, love you
terribly, madly, which is
the only way that I have love,
because I'm just a clown! Already
years ago I went out of your hands,
soon, perhaps, come the day again
Ti ...
My wallet is empty, my flowers withered and faded
only my heart is intact ...
my poverty I am appalled, but I take comfort
your tenderness.
I stand before you as a pitcher
broken, but with my
same stuff you can do one on your taste ...
Lord
What do you say when I ask
accounts? I'll tell you my life,
humanly
has been a failure, I've flown
very low.
Lord accepts the offering
this evening ...
My life, like a flute, is full
of holes ...
but take it in your hands divine. Let your music
pass through me and come to my brothers
men
it for them
rhythm and melody to accompany your journey
simple joy of their tired steps ...
(Menchu \u200b\u200bSoler)
-Father-final Canto
Saturday, March 15, 2008
Do I Need Antibiotics
Coopying
TECHNICAL 1.FICHA
ORIGINAL TITLE: Copying Beethoven
DIRECTOR: Agnieszka Holland
PERFORMERS: Ed Harris, Diane Kruger, Nicholas Jones, Joe Anderson, Matthew Goode
COUNTRY: USA - Great Britain - Hungary
YEAR: 2006
SCREENWRITER: Stephen J. Rivele, Christopher Wilkinson
PRODUCTION: Sidney Kimmel, Michael Taylor, Stephen J. Rivele, Christopher Wilkinson
CINEMATOGRAPHER: Ashley Rowe
ASSEMBLY: Alex Mackie
LENGTH: 104 m.
GENRE: Drama of time. Biographical.
2.SINOPSIS
Anna Holtz, 23, is an aspiring songwriter with limited means seeking inspiration and thrive in the global music capital, Vienna. Anna, a student at the conservatory of music, he manages to get a chance to work beside the greatest, most mercurial artist alive: Beethoven.
When unexpectedly the skeptical Beethoven tests, Anna demonstrates her competence and special value for music. The maestro accepts Anna as his copyist, which begins an extraordinary relationship that changes both their lives. Copying Beethoven
focuses on the last days of the life of Beethoven: a turbulent period in which his struggles with deafness, loneliness and family trauma provided profound inspiration for his Ninth Symphony that I considered the greatest ever written.
3. WHY "Copying Beethoven" IS A FILM CAREER? NOTES FOR THE ENTERTAINER
rarely can be seen in a movie mix poetry, music, good cinema and spirituality. This is what happens with Copying Beethoven, a great movie full vocational and openness to the transcendent dimension of the person who is hard to find in the proposals in cinema today, because as we said Julio Rodríguez Chico, the film is about " music as a language of the soul, and the silence as an inner reality that allows the spirit to sing and achieve freedom. " In this line the same Ed Harris says that this is a project that "try to imagine where it comes, spiritually and intellectually, the music of Beethoven."
Beethoven is a musical genius who experience the end the decline of his life and almost contempt of others. It has become difficult and temperamental person with a very complicated character to others. His physical deafness appears that leads to a "soul deaf" to the feelings of others. In these circumstances, Beethoven is finishing a time trial his Ninth Symphony with the intention of closing a chapter in the history of music to open unexpected trends.
curious thing about Beethoven is the relationship with God is full of ups and downs, lights and shadows. Really feel it has carried out its vocation of musician that makes you closer to God. In a coversación you have with Anna, defines its mission with these words: "The vibrations in the air are the breath of God speaking to man's soul. Music is the language of God. The musicians are so close to God as a man able to become pregnant. We hear his voice. We read their lips. Give birth to the children of God to his praise. That's what musicians are, Anna. And if we are that we are nothing. " However, it also faces God and protest his deafness. Does not understand that God has given you a mission while a major constraint to carry it out. Ultimately as
J. Rodríguez Chico says: "Our protagonist is presented as someone who allowed the silence to hear the divine and human realities spiritual harmony with the artistry and spirit of the times that are very well reflected in the film "
Anna is a young apasioanda also for music, he sees the possibility of working with the Master, the chance of a lifetime given by God. Although at first he received nothing but recriminations by Beethoven, especially as a woman, she does not lose the spirit, still working, their own composciones and even dares to correct the genius. Anna also has to be sitting in front of the reproaches of her aunt, a nun who sees in typical boyhood desires of young girls. Nor shall not easy with her boyfriend, especially when after encounter with Beethoven allow you to stay with it. Although Anna is due in the first instance, you can not resisitr the attraction of the music, his own music.
Beethoven and Anna, genius and fan, are forced to work together. And this relationship will make the characters evolve through a well-built script therefore does not fall into the trap of making the characters fall in love, but their relationship has features that might be called transcendent. Beethoven is recovering the sensitivity and delicacy that had disappeared from his life. In addition, Anna is discovered in an angel sent by God, so that will be leaving to help and guide. Ever need both of it after it has been seriously injured, go to apologize to his knees. This makes Beethoven come to die in peace and freedom.
Juan Orellana said that "Anna becomes the catalyst for the story. Its honest look and artistic sensibility removed from the loneliness of the composer who sees her as an angel sent by God. Between them comes a close relationship, never flesh, like that which exists between two kindred spirits who share a vocation and passion for music. "
Anna, who worships Beethoven but still a composition student, continues to create some personal work. It is not easy for her, especially when it is ridiculed. Go through the crisis to "take a gift without calling." Anna's mistake is that worships Beethoven both ends for copying, but only to a point. The genie is composing a flight to cross the bridge of the music of the future. Get the rejection of all the misunderstanding and even Anna, who is unable to follow his teacher so far. And to this we invited Beethoven to Anna, to go beyond the music to be free. The last image of film is suggestive in this regard. She has also made the process of discovery of a gift received from God. Its vocation is to be the secretary of God. Julio Rodríguez Chico
think "The director looks on, a mind that only hear the music in him, someone who has waged a struggle for inner freedom and let the spirit to overflow without impositions or restrictions on time, the awareness of having a gift for dialogue with the souls and to sit with you to God you make him a genius, a cruel human being and arrogant at times, gentle and humble in others, and always with a strong and demanding. His life-and movie-is transformed into a new odyssey of someone seeking to find himself and translate their feelings into musical notes to talk about concerns and outbursts of anger, fear and flight, love and desire for authenticity. It's the same inner journey must go Anna, a 23-year-old arrives with desire to succeed and he finds his sense of existence. " (From http://www.labutaca.net/films/44/copyingbeethoven3.htm)
Almudena Muñoz Pérez tells us that: "More than a film of Beethoven, Holland we dedicated a speech on the folds of genius, resolved contrasts with magnificent music, the essence of music and religious inspiration which exalts and disturbs a Catholic man "Holland weaves many stitches while the three main pillars of his film: he, she and the umpire, music, together with exemplary facility in the central scene of the concert of the Ninth Symphony, through gestures when the three vertices merge without touching. " (From http://www.labutaca.net/films/44/copyingbeethoven2.htm) Copying Beethoven
allows us to work vocational subjects as: the gifts of God, the mission, the silence ...
4.material WORKING FOR THE MOVIE.
4.1.Ver and Annaliza
- How is presented Beethoven at the beginning of the film? How does it evolve? Why change?
- How does Anna with Beethoven? What helps or hinders that relationship? What has contributed to the final? Both Beethoven
- as Anna feel called by God and blessed with the gift of music. What is the mission that must be done in your life?
- Beethoven What is your relationship with God? How is your faith?
4.2.Nos challenges
- What is music for you? Do you listen to different types of music depending on your mood?
- How does music help or you used to pray? Comment a religious song to remember in a special way, if you know the Gregorian chants or Taiz and its use in the liturgy.
- What don you think that God has ruled in a special way? What you have it?
- How important is silence or place in your life? Looking for moments of silence? Do you hate? Why?
- Who do you talk to your most intimate and personal things? "You talk about God too?
4.3.Oramos
to the conclusion on this film would be very appropriate to use the music. In particular we propose some songs of Taizé for its simplicity and repetition help to contemplation. Taizé celebrations take great care environment, sense and simplicity: sitting on the floor, lighting candles, slow breathing and an icon to which direct the gaze. This is music to use for prayer. A useful introduction and a motivation to those who are not familiar.
advise visiting the Taizé website to collect the advice given there: http://www.taize.fr/es_rubrique373.html. Here I propose two poems can be read by a soloist slowly, while there is background music.
* For the Almighty, whose name is Holy has done great things for me.
And not by me but by the miracle
that flourished in my soul. I know the poor
walls of my heart
and are mud-clay.
But God was weaving them with a burning flower, its upholstered
roads garlands of roses,
because the guest who had come to inhabit
was accustomed to his Father's hands.
And lo, my soul and not just my soul but my soul
multiplied by the power of God,
a mantle woven of light and wonder.
who can, can.
And I testify that God is not stingy.
(José Luis Martín Barefoot)
* Yes
Fear afraid I have to tell you that yes, my lord;
because ... where are you taking me?
afraid I have to take risks, to sign you
fallow
a "yes" that creates a reaction of "ifs" chain,
and yet I have no peace.
you persecute me, Lord,
stalk me on all sides;
noise disturbs me because I am afraid to hear your voice, but you
infiltrate into silence.
I swerve in the lane to vislumbrarte,
but when I get to the bottom of the trail, there you are!
Where I can hide, if I find you anywhere?
No, no way to dodge.
... But I have afraid to say yes, oh Lord. I have fear of alargarte
hand, because the cling
yours.
afraid I have to meet your gaze,
because I seduce.
I have fear of your requirements,
because you are a jealous God.
pointed at me:
but elusive target.
imprison me:
but I resist.
And I fight knowing that I am defeated.
But is that really ... "can you resist?
To reach your kingdom, not mine,
help me to say yes. Help me
say yes to your will be done, not mine.
(Michel Quoist)

TECHNICAL 1.FICHA
ORIGINAL TITLE: Copying Beethoven
DIRECTOR: Agnieszka Holland
PERFORMERS: Ed Harris, Diane Kruger, Nicholas Jones, Joe Anderson, Matthew Goode
COUNTRY: USA - Great Britain - Hungary
YEAR: 2006
SCREENWRITER: Stephen J. Rivele, Christopher Wilkinson
PRODUCTION: Sidney Kimmel, Michael Taylor, Stephen J. Rivele, Christopher Wilkinson
CINEMATOGRAPHER: Ashley Rowe
ASSEMBLY: Alex Mackie
LENGTH: 104 m.
GENRE: Drama of time. Biographical.
2.SINOPSIS
Anna Holtz, 23, is an aspiring songwriter with limited means seeking inspiration and thrive in the global music capital, Vienna. Anna, a student at the conservatory of music, he manages to get a chance to work beside the greatest, most mercurial artist alive: Beethoven.
When unexpectedly the skeptical Beethoven tests, Anna demonstrates her competence and special value for music. The maestro accepts Anna as his copyist, which begins an extraordinary relationship that changes both their lives. Copying Beethoven
focuses on the last days of the life of Beethoven: a turbulent period in which his struggles with deafness, loneliness and family trauma provided profound inspiration for his Ninth Symphony that I considered the greatest ever written.
3. WHY "Copying Beethoven" IS A FILM CAREER? NOTES FOR THE ENTERTAINER
rarely can be seen in a movie mix poetry, music, good cinema and spirituality. This is what happens with Copying Beethoven, a great movie full vocational and openness to the transcendent dimension of the person who is hard to find in the proposals in cinema today, because as we said Julio Rodríguez Chico, the film is about " music as a language of the soul, and the silence as an inner reality that allows the spirit to sing and achieve freedom. " In this line the same Ed Harris says that this is a project that "try to imagine where it comes, spiritually and intellectually, the music of Beethoven."
Beethoven is a musical genius who experience the end the decline of his life and almost contempt of others. It has become difficult and temperamental person with a very complicated character to others. His physical deafness appears that leads to a "soul deaf" to the feelings of others. In these circumstances, Beethoven is finishing a time trial his Ninth Symphony with the intention of closing a chapter in the history of music to open unexpected trends.
curious thing about Beethoven is the relationship with God is full of ups and downs, lights and shadows. Really feel it has carried out its vocation of musician that makes you closer to God. In a coversación you have with Anna, defines its mission with these words: "The vibrations in the air are the breath of God speaking to man's soul. Music is the language of God. The musicians are so close to God as a man able to become pregnant. We hear his voice. We read their lips. Give birth to the children of God to his praise. That's what musicians are, Anna. And if we are that we are nothing. " However, it also faces God and protest his deafness. Does not understand that God has given you a mission while a major constraint to carry it out. Ultimately as
J. Rodríguez Chico says: "Our protagonist is presented as someone who allowed the silence to hear the divine and human realities spiritual harmony with the artistry and spirit of the times that are very well reflected in the film "
Anna is a young apasioanda also for music, he sees the possibility of working with the Master, the chance of a lifetime given by God. Although at first he received nothing but recriminations by Beethoven, especially as a woman, she does not lose the spirit, still working, their own composciones and even dares to correct the genius. Anna also has to be sitting in front of the reproaches of her aunt, a nun who sees in typical boyhood desires of young girls. Nor shall not easy with her boyfriend, especially when after encounter with Beethoven allow you to stay with it. Although Anna is due in the first instance, you can not resisitr the attraction of the music, his own music.
Beethoven and Anna, genius and fan, are forced to work together. And this relationship will make the characters evolve through a well-built script therefore does not fall into the trap of making the characters fall in love, but their relationship has features that might be called transcendent. Beethoven is recovering the sensitivity and delicacy that had disappeared from his life. In addition, Anna is discovered in an angel sent by God, so that will be leaving to help and guide. Ever need both of it after it has been seriously injured, go to apologize to his knees. This makes Beethoven come to die in peace and freedom.
Juan Orellana said that "Anna becomes the catalyst for the story. Its honest look and artistic sensibility removed from the loneliness of the composer who sees her as an angel sent by God. Between them comes a close relationship, never flesh, like that which exists between two kindred spirits who share a vocation and passion for music. "
Anna, who worships Beethoven but still a composition student, continues to create some personal work. It is not easy for her, especially when it is ridiculed. Go through the crisis to "take a gift without calling." Anna's mistake is that worships Beethoven both ends for copying, but only to a point. The genie is composing a flight to cross the bridge of the music of the future. Get the rejection of all the misunderstanding and even Anna, who is unable to follow his teacher so far. And to this we invited Beethoven to Anna, to go beyond the music to be free. The last image of film is suggestive in this regard. She has also made the process of discovery of a gift received from God. Its vocation is to be the secretary of God. Julio Rodríguez Chico
think "The director looks on, a mind that only hear the music in him, someone who has waged a struggle for inner freedom and let the spirit to overflow without impositions or restrictions on time, the awareness of having a gift for dialogue with the souls and to sit with you to God you make him a genius, a cruel human being and arrogant at times, gentle and humble in others, and always with a strong and demanding. His life-and movie-is transformed into a new odyssey of someone seeking to find himself and translate their feelings into musical notes to talk about concerns and outbursts of anger, fear and flight, love and desire for authenticity. It's the same inner journey must go Anna, a 23-year-old arrives with desire to succeed and he finds his sense of existence. " (From http://www.labutaca.net/films/44/copyingbeethoven3.htm)
Almudena Muñoz Pérez tells us that: "More than a film of Beethoven, Holland we dedicated a speech on the folds of genius, resolved contrasts with magnificent music, the essence of music and religious inspiration which exalts and disturbs a Catholic man "Holland weaves many stitches while the three main pillars of his film: he, she and the umpire, music, together with exemplary facility in the central scene of the concert of the Ninth Symphony, through gestures when the three vertices merge without touching. " (From http://www.labutaca.net/films/44/copyingbeethoven2.htm) Copying Beethoven
allows us to work vocational subjects as: the gifts of God, the mission, the silence ...
4.material WORKING FOR THE MOVIE.
4.1.Ver and Annaliza
- How is presented Beethoven at the beginning of the film? How does it evolve? Why change?
- How does Anna with Beethoven? What helps or hinders that relationship? What has contributed to the final? Both Beethoven
- as Anna feel called by God and blessed with the gift of music. What is the mission that must be done in your life?
- Beethoven What is your relationship with God? How is your faith?
4.2.Nos challenges
- What is music for you? Do you listen to different types of music depending on your mood?
- How does music help or you used to pray? Comment a religious song to remember in a special way, if you know the Gregorian chants or Taiz and its use in the liturgy.
- What don you think that God has ruled in a special way? What you have it?
- How important is silence or place in your life? Looking for moments of silence? Do you hate? Why?
- Who do you talk to your most intimate and personal things? "You talk about God too?
4.3.Oramos
to the conclusion on this film would be very appropriate to use the music. In particular we propose some songs of Taizé for its simplicity and repetition help to contemplation. Taizé celebrations take great care environment, sense and simplicity: sitting on the floor, lighting candles, slow breathing and an icon to which direct the gaze. This is music to use for prayer. A useful introduction and a motivation to those who are not familiar.
advise visiting the Taizé website to collect the advice given there: http://www.taize.fr/es_rubrique373.html. Here I propose two poems can be read by a soloist slowly, while there is background music.
* For the Almighty, whose name is Holy has done great things for me.
And not by me but by the miracle
that flourished in my soul. I know the poor
walls of my heart
and are mud-clay.
But God was weaving them with a burning flower, its upholstered
roads garlands of roses,
because the guest who had come to inhabit
was accustomed to his Father's hands.
And lo, my soul and not just my soul but my soul
multiplied by the power of God,
a mantle woven of light and wonder.
who can, can.
And I testify that God is not stingy.
(José Luis Martín Barefoot)
* Yes
Fear afraid I have to tell you that yes, my lord;
because ... where are you taking me?
afraid I have to take risks, to sign you
fallow
a "yes" that creates a reaction of "ifs" chain,
and yet I have no peace.
you persecute me, Lord,
stalk me on all sides;
noise disturbs me because I am afraid to hear your voice, but you
infiltrate into silence.
I swerve in the lane to vislumbrarte,
but when I get to the bottom of the trail, there you are!
Where I can hide, if I find you anywhere?
No, no way to dodge.
... But I have afraid to say yes, oh Lord. I have fear of alargarte
hand, because the cling
yours.
afraid I have to meet your gaze,
because I seduce.
I have fear of your requirements,
because you are a jealous God.
pointed at me:
but elusive target.
imprison me:
but I resist.
And I fight knowing that I am defeated.
But is that really ... "can you resist?
To reach your kingdom, not mine,
help me to say yes. Help me
say yes to your will be done, not mine.
(Michel Quoist)
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