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Three Colors, Blue Million Dollar Baby

TECHNICAL 1.FICHA

Original title: Trois couleurs: Bleu

Year: 1993
Duration: 98 min .

Country: Poland

Director: K. Kieslowski

Writer: Krzysztof Kieslowski Krzysztof Piesiewicz &

Music: Zbigniew Preisner

Photo: Slawomir Idziak

Cast: Juliette Binoche (Julie de Courcy), Benoit Regent (Olivier), Hélène Vincent (Journalist), Florence Pernel (Sandrine), Philippe Volter (the agent), Charlotte Very (Lucille) .

Production: Co Poland-France

Awards: 1993, Golden Lion at Venice. Best Actress Award

2.SINOPSIS

in a car accident, Julie loses her husband Patrice, a renowned composer, and daughter, Anna. Recovering from his injuries, Julie decides to start a new life, independent, alone and anonymous, away from the privileges previously enjoyed. In his attempt crosses Sandrine, a journalist specializing in music that haunts Julie was trying to prove that he composed the piece made famous by her husband. Also aim to enter your life Olivier, assistant Patrice, Julie's love many years ago, who convinces her to finish the "Concert for Europe", an ambitious unfinished work of a musician.

3. WHY "Blue" IS A FILM CAREER? NOTES FOR THE ENTERTAINER.

Blue is the first of the films that form the trilogy "Three Colours " by Kieslowski. For some critics it is a cinematic masterpiece, one of the movies that will be history. However, as a "film d'auteur" slow, with little dialogue and based on the suggestion, you can make it boring for those not used to this kind of film. It is clear that Kieslowski's trilogy of plays with the three colors of the flag of France, thus evoking the values \u200b\u200bof the French Revolution. Blue is the film which deals with freedom.
We believe

Blue is a film career by posing precisely the theme of freedom. It is well known they are afraid and feel the youth of today to any commitments " lifetime." Their commitments are not characterized by the constancy and permanence. When there is the slightest problem or difficulty, give up and change of scenery. Hence, simplifying a bit, double failures, dropouts in the workshop and secularization. Young people want to feel free, but free from what?, Free for what? This we believe to be the fundamental key to work Blue .

In the history of Julie Blue discovered that after the death of her husband and daughter in a traffic accident, takes a flight forward trying to start a new life, forgetting everyone and everything: his past, his family. There is a scene that makes explicit their feelings. When he goes to visit his mother in the nursing home, "all are ties " says Julie. To which her mother, suffering from Alzheimer's answer: " can not give up all " (what bungee jumping scenes suggest he sees his mother on TV?).

In that dream of being free, totally free, comes into play the music you like flashes, is making this his past as if the time to stop. Music plays a role in this fundamental sense, is memory, is history. Concert choirs sounding the European Union repeatedly, have the text of the hymn of love 1 Cor 13, 1-13. This relationship between love and freedom given to debate. Thus we could say that music "calls" Julie to take some responsibility for your life.

As much as Julie intends to forget all you will not be possible. Different characters (the guy who found the cross in the accident, her husband's friend and secret admirer of her husband's lover, his mother, the prostitute next door) and changing the setting will, the will be accompanied in his new history. In this sense and respect the relationship that Julie has with others, it is very significant appointment:

" We see throughout the film strives to be Juliette Binoche as one possible, do not need to after all anyone, but there comes a time when we all need someone and she also comes the time when you have problems with mice at home. At this point I think is very clever sequence of the pool, a pool that has always been empty of people when we have seen repeatedly bathing, yet at the time asking for help, the pool is immediately filled with life and people. It is as if the pool symbolizes a part of its interior in which it has refused to let anyone, but at any given time is needed to open inside. That symbolism with which Kieslowski used his appearances in the pool I feel sensational (PLZarzuelo)

Some critics have talked about this film as a true poetry, the music, the color blue, silence, play a key role. Blue is a film very suggestive and therefore not easy for a debate. The key to understanding his argument lies in the meaning Kieslowski gives the blue color. In his words, at the present time no longer symbolizes freedom in a political or social sense, but freedom to live life itself same.

suggest the possibility of seeing the movie twice. It is not too long and would help to let themselves be questioned and suggest. After the first viewing, we would work the questionnaire " View and analyze " to focus on the film itself. After the second, would be the time to discuss the interpellation that makes the film.

4.material FOR FILM WORK

4.1.Ver and analyze

-Julie describing the underlying situation after the accident

, once you recover what Julie flees? Why?

- where to go, what their future holds, what it wants to be free?

- how many occasions Julie closes her eyes to the needs of others? Why?

- how to influence the secondary characters in the evolution of Julie? Commentary on each of them (the guy who found the cross in the accident, her husband's friend and secret admirer of her husband's lover, his mother, the neighboring prostitute)

- what do you suggest the color blue?

- what is the role of music in the film? What can symbolize the music?

-concert choirs of the European Union sing the verses of 1 Cor 13, 1-13, what do you suggest that you respect freedom of love with this song?

4.2.Nos
challenges

- what aspect of the movie you feel reflected?

- do you think young people like you are looking for freedom? Are they free? What are free? Reflected what they are free?

- what is freedom?

- do you feel free in your life? Free from what or whom?

- is there any situation in your life from which you flee?

- what do you want to be free?

- what decisions can be an obstacle to personal freedom?

-people who live with you how do you help / hinder to be more free?

- how you can help others to be free?

- do you think God is an obstacle to your freedom?

-Jesus said "the truth shall make you free" how do you interpret these words?

-Unamuno said, "Freedom does not sing more than the slave, the poor slave, free, sings about love." What do you suggest this phrase in relation to Blue ?

4.3.Oramos

-known singing group

-Poem: "THE BRIDGE"

To get rid of yourself,

launches

bridge beyond the abyss of loneliness

your selfishness has created.

Try to see beyond yourself.

Try to listen to someone else,

and especially test

strive to love

instead of love you just ...

If you want to be,

pardon me for saying so,

foremost you have to get rid of excess

possess both fills you,

from head to toe.

(Helder Camara)

-Psalm

for freedom

us, Lord, that was just loyalty, sincerity disappears among men do nothing but lie to each other, their are deceptive and flattering words, speak with ulterior motives in his heart.

Their newspapers are full of lies, and serve the interests of a few. Stun us with ads of their products, and offer the happiness that can not.

The tongue has her courage. Rely on their lips and want to enslave us. But Lord, you've seen the oppression of the poor, and you hear the cry of the poor defenseless.

Arise and deliver us from its chains, do not let them fool us your ads and promises. Your own words are real words, as silver clean and refined. You will keep us, Lord,

rid us forever of those people, those who only look for their interest, which have made the word art to deceive

their peers.

I I want to be free. And I love freedom;

Free

looking for new ideas for my dreams.

Libre, starring in new projects;

as someone who no longer wants to be a man child. Free

, as someone who has his reasons and wants to say them;

as someone who does not need to track indicators. Free

, as someone who feels responsible;

as someone who has released

freedom.

Lord, not your heart a song gospel free?

Help me, Lord, to seek my face,

to discover me inside,

to accept me as I really am.

Help me to hold my fears, my insecurities

,

to overcome my failures

and out of my losses.

Help me keep going and not go back,

overcome my discouragement

and my disappointments.

Help me to know how to start each day, forever!

You, Jesus, you are like the solid rock by the sea,

you like horseradish

that holds the tree.

are like the

spring that feeds the river,

're like

canteen in the desert.

You, Jesus, are the strength, the support I need

Jesus, do not want to stay within my own;

break my shell, breaks down my wall, and I know for me Bridge, the Bridge I need to pass the encirclement of my ropes to the release of a new heart

and full of life.

A heart free, pure, clean and transparent believe in us, Lord, to see your face.

A humble, gentle and brotherly, believe in us, that your presence is made joyful feast on our way.

(It gives time for all to read in silence. Then you can make echoes the phrase that has touched us)

-

Scripture Reading: 1 Cor 13.1 to 13
"Silence

-Prayer sharing, exchange of experiences, reflections ...

-Father-Final Hymn

-Prayer: SINCE MY WILL

Since my desire is to

your tired,

I know far

the best freedom.

Come, Lord, and take

control of my will;

of your hand

I trust and give me your hand,

that there is little they deny me if I

I am yours and you mine.

A force of human love

hug me in divine love.

Holiness is

road that goes from me to my brother.

I di not reach out to collect

favor;

gave me health and

pain at all, and in such a way

I found

death without nothing but love. Amen.

(JLBlanco Vega)

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TECHNICAL 1.FICHA

Address: Clint Eastwood.

Country: USA.

Year: 2004.

Length: 137 min .

Genre: Drama .

Interpretation: Clint Eastwood (Frankie Dunn), Hilary Swank (Maggie), Morgan Freeman (Eddie Scrap-Iron Dupris), Jay Baruchel (Danger Barch), Mike Colter (Big Willie Little), Lucia Rijker (Billie ), Brian O'Byrne (Father Horvak), Anthony Mackie (Shawrelle Berry), Margo Martindale (Earline Fitzgerald), Riki Lindhome (Mardell), Michael Peña (Omar), Bruce McVittie (Mickey Mack).

Screenplay: Paul Haggis , based on stories collected in "Rope Burns" by FX Toole.

Production: Clint Eastwood, Albert S. Ruddy, Tom Rosenberg and Paul Haggis.

Music: Clint Eastwood .

Photo: Tom Stern.

Editing: Joel Cox .

production designer Henry Bumstead .

Art Direction: Jack G. Taylor.

Costume Deborah Hopper.

2.SINOPSIS

Frankie Dunn (Clint Eastwood) has trained and managed some incredible fighters during a lifetime spent in the ring. The most important lesson he teaches his boxers is the one who leads his own life: above all, always protect yourself. After a painful estrangement from his daughter, Frankie has been unable for a long time to get close to anyone. His only friend is Eddie (Morgan Freeman), an ex-boxer who looks after Frankie's gym and knows that behind the gruff exterior of his colleague, a man who goes to Mass every day for 23 years, seeking a redemption that continues to elude him. Then Maggie Fitzgerald (Hilary Swank) appears one day in his gym. Maggie has never had much, but it does have something that very few people in the world has: he knows what he wants and is willing to do whatever it takes to get it. In a life of constant struggle, Maggie has come to where he is relying on his innate talent, impassive concentration and tremendous willpower. But more than anything, I just want someone to believe in it. The last thing Frankie needs in this world is to assume such responsibility, not to mention risk. Bluntly, he describes the bitter reality Maggie: she too old, and he does not train girls. But the word 'no' has no meaning when you have no choice. Unable to leave his greatest ambition in life, Maggie is crushed in the gym every day, with only the support of Eddie. Finally, convinced by the unwavering determination of Maggie, Frankie begrudgingly agrees to train her. Inspired and exasperated each other as they go on, both will discover that they share a spirit that transcends pain and loss of its past, and find each other that feeling of family they lost long ago. What I do not know is that soon will face a battle that will require more effort and courage than any they have known.

3. WHY "Million Dollar Baby" IS A FILM CAREER? NOTES FOR THE ENTERTAINER.

confess to present a didactic commentary on Million Dollar Baby is not easy, especially if you want to be brief with reference to the time, everything has been said and written about this great film of surprising Clint Eastwood. That's why we focus on those issues we find to talk and discuss about the vocation, leaving both more technical assessments as judgments about the director and actors in the interest of the educator can easily find on the Internet. However I can not resist to make some paragraphs that I found significant, culled from some critics, for those who do not have much time to read everything. Most of them can be found at the following address: http://www.labutaca.net/films/30/milliondollarbaby.htm

In a way the film introduces boxing as a metaphor for life and therefore also of vocation. Is so well done that even those who reject the violence of this spectacle, we are dragged by their strength and thirst for victory and triumph. Boxing is not just an excuse to have other deeper issues such as awareness of the maturity, the guilt of past sins, overcoming, faith, dreams and what we do to achieve them, the decision-making, love .... So quite rightly J. Rodríguez Chico has called his critics as " in the ring life."

The story is a letter written and narrated by Eddie. He joins us and gives us some clues to interpret the relationship between Frankie and Maggie, becoming "the apex of the triangle responsible to mediate, facilitate and provide another perspective on the deployment of history."

Three quarters of the film focuses on the desire for Maggie, a young headstrong and stubborn that strives to get Frankie to be her coach despite his initial rejection. This part, in itself, could be a single movie about the effort to succeed in life. Let us pause a bit to analyze the two main characters.

Frankie, in this tale of losers, "seeking redemption," says Eastwood. "It's an old Irish Catholic roots, disillusioned with life at losing the love of his daughter. That loss haunts him and he has left a great void." He, who was expert in plug of the fighters bleeding, unable to contain the bleeding wounds past. "Frankie's resistance to place their fighters in bouts of major titles he has performed several setbacks," said Eastwood. "It has become a coach superconservador, unable to see when your pupils are truly ready. While still training, mentally retired long ago." It's back to life. It has the feeling of having failed in many things in his life to try a new adventure. In fact, the reluctance to train Maggie Frankie has a much more complex. "He protects emotionally on their way through life," muses Eastwood, "becoming involved in any relationship, even a kind of father / daughter." Take your boxing life motto: protect .

Frankie and Maggie "suffer the most painful injuries caused by boxing gloves, and they hope Restena and return to fight for a dream" (J. Rodríguez Chico).

A dream on the Maggie "has staked everything," a dream that he sees no one except herself. A dream that never seem to arrive and that breaks your heart when they turn 32. In that moment of history is inflexible when almost unavoidably, Frankie becomes his coach and manager. And without realizing it, by his side, he will change, evolve and grow. " When Frankie finally agrees to prepare Maggie, becomes a love story - not a romantic, but a love story father / daughter. Maggie is the daughter who has lost and missing in his life, and he is the father she lost to be very small. And it is through this relationship as Frankie will be back to himself and reach the long-awaited redemption . "

To explain the relationship established between the characters, JL Sánchez Noriega said that "this film tells of the encounter and the evolution of the friendship between two people injured respectively by loneliness and disaffection family (...) The development of this story is the friendship that evolves from the initial distrust and teacher-student hierarchy to the good times shared success, and recognition of the maturity of the pupil and the fraternal feeling or parent-child, the true love that binds the fate of two people. That is, is the story of an encounter that transforms lives, or if you prefer, the story of the love that binds two people. "Thus," Frankie will symbolize the loving father that Maggie lost as a child and found the veteran coach a second chance to exorcise the emotional hurt that much damage being done "(MA Refoyo) However

film splits into two in an instant, an oversight of Maggie, as he was on the landing of an assault. In this turn of script is where the magic of film. It is a moment of great emotional intensity that Clint Eastwood has been recreated with great skill. The viewer's soul is broken and is then knocked out even hours after watching the film. From here you change the ring for a hospital bed, and plays the hardest battle of the person: the meaning of life and death. Eastwood, true to its principles, we moved from the typical movie and self-improvement efforts to achieve success, quite another: the failure of life. " In this sense, the pessimistic determinism that hangs over the film is relentless. And disheartening." (T. Pallejá)

Million Dollar Baby is not intended to encourage a debate on euthanasia, it is not even a power game. It's just a story to which one is dumb if you dare to judge. " The hard outcome, with characters who have the conflict of conscience before death, and approaching the abyss that awaits them if they betray their convictions, is far from the frivolous and sentimental view of Amenábar proeutanasia: here you breathe genuine respect and sensitivity to pain and who suffers, and perceived sincerity in director to raise the moral questions between an alleged "right to die" and the legality to stop putting extraordinary means to sustain life " (J. Rodríguez Chico)

the end Frankie fleeing the failure disappears of his life. His last hope to pursue happiness is gone unfairly.

With these ideas, we discuss in our group counselor about the dreams we have, success and failure in life, the wounds of our past, fear of risk and decision making, defense mechanisms that operate in our relationships, encounters that transform lives, second chances, the hand that helps us ...

4.material FOR FILM WORK

4.1.Ver and analyze

-Describe the character of Frankie at the beginning of the film. How does your life? What is your motto in boxing? How is your faith? What is your past?

-Describe the character of Maggie

- How Frankie and Maggie evolve throughout the film? What scenes or moments better reflect this evolution?

- What is the role of Eddie in this relationship?

-What looks like a success story is truncated, what you think the end of the movie?

- Do you think the film is a "parable of life? What are similarities and differences between boxing life itself?

4.2.Nos

challenges - what we have healed wounds of your past and you still hurt?

- Who or what protects you in your relationships with others?

- In your life you are rather cautious or risky?

- What dreams do you have for your life? What do you do to achieve them?

- What experiences have experienced failure? How have out of them? What have you learned?

- Who are the most helped you throughout your life?

- Do you think in your life you've had your chance?

-Eddie Maggie puts into the mouths of the following: "I think I've done pretty well. I can rest." If you come today the death, do you think you could apply that phrase to yourself?

- What the film leaves you feeling? What do you most regret, what do you get teaching of it?

- What other title would you give the film?

4.3.Oramos

-appropriate songs and known by the group

-PSALM IN SEARCH OF THE MEANING OF LIFE

(It reads and then make choirs phrase that has called each one)

As if he started out of a dream, so I'm sorry, Lord Jesus.

begin to taste the dawn of a new dawn, and something like peace after the storm.

A rainbow is open about my life in search and now I know that after the storm comes the calm.

Lord Jesus, Lord of calmness and serenity, come with me on this new path that release.

I want Lord, make my eyes

inside.

I want to open the eyes of your heart and with 'new eyes to see' look at the light and look for the goodness and beauty, truth and love in my heart hidden and silent.

I, Lord, build

my life from life.

I raise my flight from a responsible freedom.

I truly make my way from the truth.

I, Lord, to live love and service from Love

I need you, You are the answer to my search. Lord

Jesus, I want a

meaning for my life, I want to grow

in search of reasons for my existence;

find the ideal, the standard model

of being human.

I, Lord Jesus,

orient my life, give direction;

know the reason of my origin,

where I come from.

I want the river of my life

you have in your

spring.

I know the reason for

you do in life

know if my life

worth living.

I want the meaning of my life

be you.

way I know where, know what the destiny and goal of my life.

I want you, Christ the Lord, you be the end of my road.

Lord Jesus, I want a life support from outside.

crutches that I will not let me go away.

I do not want media that does not bear with my freedom.

patches do not want my way, or masks to my problems.

hands I do not push me or give rope to my failure.

I will not stay in the skin of things while my heart is starving.

I do not want to opt for death, destruction, things that are just, by the smoke of straw.

not want to live on the surface, from the skin.

life I will not be empty, wasted life

.

Lord Jesus, I live strong, and from within!.

Lord Jesus, I ask you strength to choose.

choose

Force as a person, man.

Force to choose a faith

stout in you to opt

by the community in which I live.

Force

choose a life plan;

to choose

in need of help.

Force

choose a life without end;

to choose and live always determined to

start again.

Lord Jesus, open my eyes

in the light of your truth.

Open my eyes to the human heart that transcends;

to the values \u200b\u200bof your kingdom.

Open my eyes to the goodness and tenderness, forgiveness, justice, brotherhood, truth, purity and simplicity.

Lord Jesus, open my eyes to the values \u200b\u200bthat are not finished.

Lord Jesus, open my eyes beyond your death: a light and freedom of your Resurrection.

You, Lord Jesus, you're here in my new path.

You, Lord Jesus, you are here and offer me your

life project.

I tell you:

're the answer to my question

;

're the reason my reasons. I tell

you:

are the ideal man

I want;

are the project

I assume.

I tell you:

are the Person and Programme

of my life

you the meaning of my life.

-Proclamation of the Word of God: Jn 21.1 to 19

"Silence, reflection

Text of reflection (read as voiceover)

reflections culled

of www.pastoralsj.org

DO NOT GIVE UP

Still casting their nets. Instead of waiting. Instead of living halfway. Instead of yielding to discouragement. Because you have dreams, desires, concerns. Because you believe in who invites you to try. Check the networks to see if fish can feed the illusions and days. Take initiatives. Undertakes projects. Shared ideals. Hug and let you embrace. Check the Network!

Sometimes I look at the world and I feel that way. Not solve the problems and dramas are multiplying, with swollen bellies and sad eyes, physical injury and those others that are not ...

I look at myself and I find myself at times indifferent, insensitive to others ... And I love stumbled. And it strikes me that your gospel does not finish wrap. And stuns me feel let you down. Lord, where are you?

Because you always go back. Also when I'm more demoralized, or perhaps especially then. And do not let me take refuge in the surrender.

I continue to call. By my name, knowing how I am. I whisper, "Cast the nets."

Networks where they can grip those who have no other support. Network meeting and affection, acceptance and encouragement. Nets made of intertwined arms and conjugate the verb to love in all the languages \u200b\u200band times.

Lord, here you are.

-Time for share. Spontaneous prayer.

-Prayer: ECHA NETWORKS

Since You left

have not caught anything. We

twenty centuries

unnecessarily casting the net of life,

and between its meshes

fished only emptiness. We

burning hours

and soul is dry.

We have become sterile

same as a ground cover

cement.

Are we already dead? How long

many years ago we have not laughed?

Who remembers the last time we love?

And later you come back and tell us:

"Cast the net on your right,

dare again to trust,

open your soul,

old trunk out of the

new hopes, give

heart strings,

get up and walk. "

(José Luis Martín Barefoot)

"Our Father

" The Saints have not "fallen from heaven."

are people like us, with complicated problems.

Holiness does not consist in not making a mistake or never sinning.

Holiness grows with capacity for conversion,

of repentance, willingness to begin again,

and especially with the capacity for reconciliation and forgiveness. "(Benedict XVI )