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TECHNICAL 1.FICHA

Address: Lasse Hallström.

Countries: USA / UK.

Year: 2000. Length: 121 min. Interpretation

: Juliette Binoche (Vianne Rocher), Lena Olin (Josephine Muscat), Johnny Depp (Roux), Judi Dench (Amande Voizin), Alfred Molina (Comte de Reynaud), Peter Stormare (Serge Muscat), Carrie- Anne Moss (Caroline Clairmont), Leslie Caron (Madame Audel), John Wood (Guillaume Bierot), Hugh O'Connor (Pere Henri). Screenplay

: Robert Nelson Jacobs, based on the novel by Joanne Harris.

Production: David Brown, Kit Golden and Leslie Holleran.

Music: Rachel Portman.

Photo: Roger Pratt.Montaje: Andrew Mondshein.

Production Designer: David Gropman.

Art Direction: John Frankish, Marzaroli Louise and Lucy Richardson. Costume

: Renee Ehrlich Kalfus. Sceneries

: Stephanie McMillan.

Production Manager: Ginette Mejinsky.

2.SINOPSIS

Chocolat is a fable key comedy about how you can change a person, a relationship, a city with just a taste the pleasures of life. It is a story about temptation, repression and liberating powers of the senses: the cute story about the escalating war is triggered in a small town because of the passion and the fear generated in the population after the appearance of a store of chocolates and candies.

3. WHY "Chocolat" IS A MOVIE CAREER. NOTES FOR THE ENTERTAINER

Chocolat ends with a very deliberate gesture: the smile of a statue of the town. A smile that causes the viewer to thank, so, this comedy as a fable.
The story begins and ends with one word: peace, tradition, immobility. However, a north wind is capricious to change the village of Lansquenet and free them of their most precious (that still quiet) just during Lent.

Reference to the Church is anything but positive, but it is a criticism that although exaggerated some respects, is made with taste and very healthy. In a pre-conciliar Church, enhances the rejection of all forms of pleasure, power and austerity, self-discipline, amid total confusion between the social and religious (which is the Count who does the young priest's homilies a finding this.) A church and a society that favors rejection and criticism of those who "do not go to church" and a foreigner, or those who live on the fringes of society (Roux and his friends). This aspect of the film and gives us clues for dialogue and reflection, especially discussing the image of the Church is perceived by others.

In this context, the presence of Vianne Rocher (Juliette Binoche) is a provocation. Opens a chocolate shop during Lent, is liberal, not a practitioner and has an illegitimate daughter. Without trying, she is involved in a hidden and silent war caused by the Count. Face as well, two ways of looking at life, two ways of standing before the needy. Could be also a religious confrontation, but even the religious profile of Conde appears well defined, not so with the Vianne, so we miss an alternative, another way of seeing the Church and the life of faith. This "battle" is presented in a much more graphic when Count started his "crusade" to rehabilitate Muscat, while Vianne had taken into his home to his battered wife, Josephine. The difference in the results of each grant will be obvious. In this sense, the director the director Hallström says: Chocolat "is the constant conflict in life between tradition and change. And in its deepest essence, speaks of the intolerance and the consequences of not allowing others to live their own stock and beliefs (...) El Conde De Reynaud scrutinizes the population, is sinful and violations everywhere, Vianne sees only human beings are not perfect and can forgive. "

On their way to be, having the door open and invite everyone who is about to happen and take a chocolate, chocolate is becoming rather than listening to the woes of the villagers. Josephine, the grandmother and her grandson, a couple was not going well, a trio of widows, the elderly with their dog, Roux, and even Caroline and the same final count, they pass and are transformed, releasing. Precisely Chocolat "is his splendid portrait of each character. Each one makes us human tenderness and gives us a slice of life. All carry bits of philosophy that each frame filled with emotion, every sequence (Mateo Sancho Cardiel).

Count

If slavery is against the tradition, the lineage of a family of Condes, a misconception Church and religion, Vianne is a free spirit, but while a prisoner of his destiny. She will be released when it decides to throw his grandmother's ashes to the wind. Thus, the writer gives us his interpretation Jacobs: "I felt that chocolate was, in the depths, the story of Vianne arouses in people faith in themselves and how, in turn, reimburses them for this gift the . It's not just the story of Vianne Lansquenet change, but also how changes to Vianne Lansquenet. "

One last point more interesting, the fact that Vianne has the ability to divine the tastes of each is a resource rather than interesting social life and the Christian community.

4.material FOR FILM WORK

4.1.Ver and analyze

-Lansquenet describes the people at the beginning of the film: it gives a list of adjectives.
-describes the character of Count Reynaud and all that suggests.
-do the same with the character of Vianne, the chocolate.
- what aspects of intransigence and intolerance are found in the movie?
- what slavery experienced by different characters?
- how they relate Count Reynaud and Vianne with people? What causes in others?
- what is your way of seeing the mission of Vianne?
- how is reflected the Church and Christianity?
- do you think the director makes a case of pleasure and forbidden? Explain your answer.
- what symbolizes the chocolate?
- what do you remember the Easter homily? What are you agree?
- what other title would you give to the film?

4.2.Nos challenges

- what times and situations you behave like Count Reynaud?
- live in what sense the conflict within you of Count Reynaud and Vianne?
- what or who you feel slave? (Ideas, theories, traditions, past experiences, people ...)
Vianne, the example of what can bring you to those who live with you? What are you free?
- can you presume to know the taste of the people they want or they live with? Could you share?
-metaphorically speaking, what is the chocolate in your life?
- what positive aspects can be thinning of the image given of the Church? (Constructive criticism, challenges ...)
- what he calls you, invites you, the movie "Chocolat"?

4.3.Oramos

appropriate

-Canto-

Prayer Dear Lord, help us

spread your fragrance everywhere we go.
Flood our souls with your spirit and life. Penetrates and has

our being so strongly

our whole life is nothing but a reflection of yours.

shines through us, and so present yourself in us that every soul

with whom we come in contact
can feel your presence in our soul. Make

looking at us and we do not see us but only Jesus. Stay with us

and begin to shine as You shine.
shine in such a way that we
light for others.
The light, O Jesus, come only from you.
None of it will be ours;
will be your shining for others,
through us. Let us praise

the way you love Thee, shining
for those around us.
Let me preach without preaching;
not with words but by example.
For the persuasive force,
contagious influence what we do,
the apparent fullness of our heart
love you have. Amen.
(Cardinal Newman)

-Text Gospel: Jn 8: 1-11

-Reflection: NO TE VI.
not see you yesterday when you passed. Your sad eyes
not they tell me.
I is tired. Your word trembled

but I heard the lament and tear

Had recent grooves on your cheeks?

I can not say I have called you, see, speak,
here I am forever.
But I said nothing.
And now you're gone.
(From http://www.pastoralsj.org/ )

-personal reflection and sharing time after seeing the movie and hearing the Word of God.

-Prayer

spontaneous

-Reflection: FORBIDDEN!
mourn prohibited without learning,
wake up one day not knowing what to do,
be afraid of your memories.
is forbidden not to smile at problems,
not fight for what you want, leave everything for fear
,
not make your dreams come true.
is forbidden not to show your love,
make someone pay your debts and bad humor.
is forbidden to leave your friends,
not try to understand what they lived together,
call them only when you need them.
is prohibited unless you before people,
feign with People who do not care,
make funny just to remind you,
forget all the people who love you.
is forbidden not to do things for yourself,
be afraid of life and its commitments,
not live each day like a last breath.
to miss someone is prohibited without cheering, forget her eyes, her laugh, just because your paths
stopped being embraced,
forget his past and his present pay.
is forbidden not to try to understand people,
think that their lives are worth more than yours,
not know that everyone has their own way and his happiness.
forbidden not create your history,
not have a moment for people who need you,
not understand what life gives you, it takes it away.
is forbidden not to pursue happiness,
not live your life with a positive attitude,
not think we can be better,
not feel that without you this world would not be beaten.
(Pablo Neruda)

-Prayer: YOUR FACE IN EVERY CORNER
Lord, you see ...
... I see your face in every corner. You see people laugh
disinherited
with joyous laughter and reborn
illusion You see light in your eyes off

of who one day forgot to dream and believe.
You see the arms that
hidden, but tireless,
build miracles
love, peace, future.
You see opportunity and call
where sometimes there is only mist.
You see how close
restored dignity hell
world in another see my brother,
in the mirror, an apostle
and you glimpse inside me.
I would not go blind,
lost in your presence,
distracted by anything ... my steps wrong

to places without you.
Lord, you see ...
... I see your face in every corner.
(José María R. Olaizola)

-Father